Friday, April 08, 2016

NPM Celebrations - Draw a Bird Day

April 8th is Draw a Bird Day. It is celebrated "as a way to express joy in the very simplest of things in life and as a way to help soldiers everywhere forget war and suffering even if only for a short time." Do visit the web site to read the story behind this day. Then draw a bird, share it, and spread a smile.

In thinking about birds today, I'm sharing snippets of poems in a form borrowed from Wallace Stevens. You'll recognize it as Thirteen Ways of Looking at a Blackbird.

Thirteen Ways of Looking at Birds

I.
A thrush is thrilling as I write
Its obligato of delight;
And in its fervour, as in mine,
I fathom tenderness divine,
And pity those of earthy ear
Who cannot hear . . . who cannot hear.

From Why Do Birds Sing? by Robert W. Service

II.
A bird sang sweet and strong
  In the top of the highest tree,
He said, "I pour out my heart in song
  For the summer that soon shall be."

From Spring Song by George William Curtis

III.
Three lovely notes he whistled, too soft to be heard
If others sang; but others never sang
In the great beech-wood all that May and June.
No one saw him: I alone could hear him

From The Unknown Bird by Edward Thomas

IV. 
The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn bright lawn
and he names the sky his own

From Caged Bird by Maya Angelou

V.
A lone gray bird,
Dim-dipping, far-flying,
Alone in the shadows and grandeurs and tumults
Of night and the sea
And the stars and storms.

From From the Shore by Carl Sandburg

VI.
A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.

From Part Two: Nature, XXIII by Emily Dickinson

VII.
I wonder if God's helper on that fifth day—
making all the birds of air—
was so new to the business of creation,
he approached it with little care.

From Creation of the Marbled Godwit by Jane Yolen
in Birds of a Feather, poems by Jane Yolen and photographs by Jason Stemple

VIII.
In the sedge a tiny song
Wells and thrills the whole day long
In my heart another bird
Has its music heard.

From A Warbler by Walter de la Mare
in Rhymes and Verses: Collected Poems for Young People, written by Walter de la Mare and illustrated by Elinore Blaisdell

IX.
A bird is a bird as long as it is
there.  Then it is a miracle our crumbs and
sunflower seeds caught and let go.

From Bird Watching by John Ciardi
in The Collected Poems of John Ciardi, collected by Edward M. Cifelli and written by John Ciardi

X.
I gave much credence to stragglers,
overrated the composure of blackbirds
and the folklore of magpies.

From Drifting Off by Seamus Heaney
in Opened Ground: Selected Poems, 1966-1996, written by Seamus Heaney

XI.
The birds are heading south,
instinct is the oldest story.
They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

From The Birds by Linda Pastan

XII.
From dawn to dusk in darkling air
we glean and gulp and pluck and snare,
then find a roost that's snug and tight
to brave the long and frozen night.

From Chickadee's Song by Joyce Sidman
in Winter Bees & Other Poems of the Cold, written by Joyce Sidman and illustrated by Rick Allen

XIII.
Now close the windows and hush all the fields;
  If the trees must, let them silently toss;
No bird is singing now, and if there is,
  Be it my loss.

From Now Close the Windows by Robert Frost


John Muir Laws has some terrific resources for drawing from nature. Check out the Drawing Birds Tutorial. (Teachers can download a high resolution PDF for use in their classrooms.)
I also found this How to Draw A Bird page from easy-drawings-and-sketches.com to be helpful.

I've written about birds and poetry before. Check out A is for Avian, a post from my 2013 National Poetry Month Project.

That's it for today. I hope you'll join me tomorrow for our next celebration.

Poetry Friday - Belief

Some days we NEED to believe in fairies. I know this as well as Auden.

Belief
by W. H. Auden

We do not know
if there be fairies now
  Or no.
But why should we ourselves involve
In questions which we cannot solve.
  O let's pretend it's so
And then perhaps if we are good
Some day we'll see them in the wood.

from Collected Shorter Poems 1927-1957, written by W.H. Auden

If you haven't been here before, or haven't been around for my National Poetry Month project, here are the posts from this week. Feel free to poke around. I'm particularly proud of today's Draw a Bird Day post, which uses Wallace Steven's poetic form of "Thirteen Ways" to look at bird poetry.
  1. April Fool's Day
  2. Jazz Appreciation Month
  3. National Frog Month
  4. National Garden Month
  5. Mathematics Awareness Month
  6. National Kite Month
  7. World Health Day
  8. Draw a Bird Day
I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Laura Purdie Salas at Writing the World for Kids. Happy poetry Friday friends!

Thursday, April 07, 2016

NPM Celebrations - World Health Day

April 7th is World Health Day. Every year, the World Health Organization selects a priority area of global public health concern as the theme for World Health Day, which falls on the birthday of the Organization. The theme for 2016 is diabetes, a noncommunicable disease directly impacting millions of people of globally, mostly in low- and middle-income countries.

This day is a good one to focus on general overall health and the human body.

Random Body Parts: Gross Anatomy Riddles in Verse (2015), written by Leslie Bulion and illustrated by Mike Lowery, encourages readers to follow poetic and visual clues to determine the body part in question. At the end of the poem, readers are rewarded with the answer and a bit of information about the science. Here's a poem closely related to this year's theme for World Health Day.

Self-Importance
by Leslie Bulion

Wolf what you will
Swallow all kinds of swill,
If I don't add my juices, you're toast.

Without me, chewed food,
Smashed with acids and brewed
In your turn, is plain useless. No Boast!

No other glands
Take the upper hand
With protein, carb, and fat;

In one fell swoop
You'll have nutrient soup—
My enzymes see to that.

My other cells seep
Key hormones that keep
Your blood sugar levels on track.

Second biggest in size?
Among glands, I'm the prize--
that big floppy liver's a hack!

Poem © Leslie Bulion, 2015. All rights reserved.

The Blood-Hungry Spleen and Other Poems About Our Parts (2003), written by Allan Wolf and illustrated by Greg Clarke, is a collection of 35 poems that celebrates our gross, disgusting, fascinating, and amazing body parts and functions. It begins with a poem entitled "Our Amazing Body Language" and is followed by anatomically devoted sections with one or more poems. The poems are funny and sometimes silly, but still ultimately impart some real knowledge about the part under consideration. The illustrations are whimsical (many of the organs depicted have faces and arms and legs) and not necessarily anatomically correct, but they do convey the messages shared in the poems.

Here's one of my favorite poems from the collection.

Skin
by Allan Wolf

It's on your face. Beneath your hair.
It's here. It's there. It's everywhere.
It's on your elbows and your knees.
It covers those. It covers these.
It hangs on tight beneath your shirt.
It's in the dark beneath your skirt.
It heals itself when it gets hurt.
Your skin. Your skin. Your skin.

You've basically two layers of skin.
The outer layer is very thin.
The epidermis is its name,
your largest organ, so they claim.
The surface of this layer is dead.
And though you cannot see it shed,
it does, while brand-new cells are fed
from just beneath your skin.

That's where the second layer lies,
the dermis, and it's just your size.
It senses pressure, pain, and touch.
It sweats when you play ball and such.
It holds the hair tight to your head.
Pierre, Rosita, Franz, or Fred,
each body on the planet's spread
with skin, with skin, with skin.

It covers these. It covers those.
It's on your fingers and your toes.
It's in your ears and up your nose.
Your skin. Your skin. Your skin.
It wraps around your throat and chin. 
It keeps germs out. It keeps you in.
The skin that we are all born in.
Your skin. Your skin. Your skin.

Poem © Allan Wolf, 2003. All rights reserved.

Science Verse (2004), written by Jon Scieszka and illustrated by Lane Smith, is a collection of science poems that parody poems by Joyce Kilmer, Lewis Carroll, Ann Taylor, Robert Frost and others, as well as nursery rhymes and childhood songs. One of these poems is about the spleen.

Lovely
by Jon Scieszka

I think that I ain't never seen
A poem ugly as a spleen.

A poem that could make you shiver,
Like 3.5 . . . pounds of liver.

A poem to make you lose your lunch,
Tie your intestines in a bunch.

A poem all gray, wet, and swollen,
Like a stomach or a colon.

Something like your kidney, lung,
Pancreas, bladder, even tongue.

Why you turning green, good buddy?
It's just human body study.

Poem ©Jon Scieszka. All rights reserved.


Two additional poems you may enjoy are Their Bodies, by David Wagoner, and The Author to His Body on Their Fifteenth Birthday, 29 ii 80, by Howard Nemerov.

That's it for today. I hope you'll join me tomorrow for our next celebration.

Wednesday, April 06, 2016

NPM Celebrations - National Kite Month

April is National Kite Month. Kites were invented in China and first flown more than 2000 (some reports say 3000) years ago. The first kites were actually used for military purposes. The were used in World War I and II for observation, signaling, and target practice. Kite flying has also been used to study wind and weather. In fact, kites were used at one time to carry meteorological instruments and cameras. Today, kites are largely used for recreational purposes.
Now that you are in a mood to fly a kite (or sing about one), let's read a few of my favorite kite poems.

To A Red Kite
from Something New Begins: New and Selected Poems 
by Lilian Moore

Fling
yourself
upon the sky.

Take the string
you need.
Ride high

high
above the park.
Tug and buck
and lark
with the wind.

Touch a cloud,
red kite.
Follow the wild geese
in their flight.

Poem © Lilian Moore, 1982. All rights reserved.


kite

The kite, kept
Indoors, wears
Dead paper
On tight-
Boned wood,
Pulles at the tied
Cord only
By its weight—

But held
To the wind,
It is another thing,
Turned strong,
Struck alive,
Wild to be torn
Away form the hand
Into high air:

Where it rides
Alone,
Glad,
A small, clear
Wing, having
Nothing at all
To do
With string.

Poem © Valerie Worth, 1994. All rights reserved.
(I've looked all over for the original source for this, but can't find it, 
though the image is all over Pinterest and attributed to Mr. Wonderful.)

This poem is from the book More Opposites, written and illustrated by Richard Wilbur.

The opposite of kite, I'd say,
Is yo-yo. On a breezy day
You take your kite and let it rise
Upon its string into the skies,
And then you pull it down with ease
(Unless it crashes in the trees).
yo-yo, though, drops down, and then
You quickly bring it up again
By pulling deftly on the string
(If you can work the blasted thing).

Poem © Richard Wilbur, 1991. All rights reserved.


This acrostic poem is from the book Spring: An Acrostic Alphabet, written by Stephen Schnur and illustrated by Leslie Evans.

Knees pumping, we run
Into the wind, strings
Taut,
Eyes fixed on the
Sky.

Poem © Stephen Schnur, 1999. All rights reserved.


I found a number of other good poems for kites. I've included them below. You'll find an image of the poem, as well as the cover of the book it came from. (Click on the image to enlarge and read.)


That's it for today. I hope you'll join me tomorrow for our next celebration.

Tuesday, April 05, 2016

NPM Celebrations - Mathematics Awareness Month

April is Mathematics Awareness Month. First celebrated in 1986 as Mathematics Awareness Week, the goal of this celebration is to to increase public understanding of and appreciation for mathematics. In 1999 this weeklong celebration was extended to encompass the entire month of April.

Here is one of my favorite math-themed poems.
Arithmetic
by Carl Sandburg

Arithmetic is where numbers fly like pigeons in and out of your head.

Arithmetic tell you how many you lose or win if you know how many you had before you lost or won.

Arithmetic is seven eleven all good children go to heaven -- or five six bundle of sticks.

Arithmetic is numbers you squeeze from your head to your hand to your pencil to your paper till you get the answer.

Arithmetic is where the answer is right and everything is nice and you can look out of the window and see the blue sky -- or the answer is wrong and you have to start all over and try again and see how it comes out this time.

If you take a number and double it and double it again and then double it a few more times, the number gets bigger and bigger and goes higher and higher and only arithmetic can tell you what the number is when you decide to quit doubling.

Arithmetic is where you have to multiply -- and you carry the multiplication table in your head and hope you won't lose it.

If you have two animal crackers, one good and one bad, and you eat one and a striped zebra with streaks all over him eats the other, how many animal crackers will you have if somebody offers you five six seven and you say No no no and you say Nay nay nay and you say Nix nix nix?

If you ask your mother for one fried egg for breakfast and she gives you two fried eggs and you eat both of them, who is better in arithmetic, you or your mother?
In Sandburg's Arithmetic (1995), an animated short based on the poem, Carl Sandburg narrates a beautifully illustrated film produced by Lynn Smith. You can preview the film below.

For a more mathematically inclined poem, here's one on my favorite irrational number.

Pi
by Wislawa Szymborska

The admirable number pi:
three point one four one.
All the following digits are also just a start,
five nine two because it never ends.
It can’t be grasped, six five three five, at a glance,
eight nine, by calculation,
seven nine, through imagination,
or even three two three eight in jest, or by comparison
four six to anything
two six four three in the world.
The longest snake on earth ends at thirty-odd feet.
Same goes for fairy tale snakes, though they make it a little longer.
The caravan of digits that is pi
does not stop at the edge of the page,
but runs off the table and into the air,
over the wall, a leaf, a bird’s nest, the clouds, straight into the sky,
through all the bloatedness and bottomlessness.
Oh how short, all but mouse-like is the comet’s tail!
How frail is a ray of starlight, bending in any old space!
Meanwhile two three fifteen three hundred nineteen
my phone number your shirt size
the year nineteen hundred and seventy-three sixth floor
number of inhabitants sixty-five cents
hip measurement two fingers a charade and a code,
in which we find how blithe the trostle sings!
and please remain calm,
and heaven and earth shall pass away,
but not pi, that won’t happen,
it still has an okay five,
and quite a fine eight,
and all but final seven,
prodding and prodding a plodding eternity
to last.

Poem © Wislawa Szymborska. All rights reserved.


Let's move from pi to twin primes. You needn't watch the entire video, but Harry Baker spins a love poem for lonely prime numbers in the early minutes. You need to hear it.

Marvelous Math: A Book of Poems, selected by Lee Bennett Hopkins and illustrated by Karen Barbour, is a collection of 16 poems on calculators, division, multiplication, fractions, time, and other mathematical topics. Here's an example.

Nature Knows Its Math
by Joan Bransfield Graham

Divide
the year
into seasons,
four,
subtract
the snow then
add
some more
green,
a bud,
a breeze,
a whispering
behind
the trees,
and here
beneath the
rain-scrubbed
sky
orange poppies
multiply.

Poem © Joan Bransfield Graham, 1997. All rights reserved.

I've written about math and poetry before. Check out M is for Mathematical, a post from my 2013 National Poetry Month Project.

That's it for today. I hope you'll join me tomorrow for our next celebration.

Monday, April 04, 2016

NPM Celebrations - National Garden Month

April is National Garden Month. The National Garden Bureau worked with 23 national horticultural organizations to legislate National Garden Week. Former President Reagan signed the Proclamation on April 18, 1986 and National Garden Week was celebrated for the first time in April of 1987. In 2003 the celebration was designed to encompass the entire month of April, and National Garden Month was celebrated for the first time.
Busy in the Garden, written by George Shannon and illustrated by Sam Williams, is a collection of  24 poems that captures the joys of the garden. 

Dig a little.
Dig a lot.
Dig a brand-new garden spot.

Plant a little.
Plant a lot.
Plant the seeds and bulbs you bought.

Wait a little.
Wait a lot.
Wait much longer than you thought.

Pick a little.
Pick a lot.
Share the best bouquet you've got!

Poem © George Shannon. All rights reserved.

I Heard it From Alice Zucchini: Poems About the Garden, written by Juanita Havill and illustrated by Christine Davenier, is a magical collection of poems, by turns both whimsical and scientific, about growing things. Here's the poem that opens the book.

When I Grow Up

In the still chill of a winter night
seeds on the gardener's bench
rattle their packets
with chattering.

"When I grow up,
I'm going to be . . . "

"The biggest watermelon."
"Greenest spinach."
"Toughest kale."
"A rutabaga round as the world."
"An everywhere zucchini vine."
"Cornstalk so tall I touch the sky."

Little seeds
with big plans,
chittering, chattering,
except for one,
not a murmur from his packet.

Hey, little seed,
what about you?
What will you be
when you grow up?

In the still chill of the winter night:
"I'm going to be FIRST!"

And the radish is right.

Poem © Juanita Havill. All rights reserved.

One Leaf Rides the Wind, written by Celeste Davidson Mannis and illustrated by Susan Kathleen Hartung, is set in a Japanese garden where a young girl counts the things she sees, like bonsai, koi, and lotus flowers. The left side of each spread contains an illustration of the objects being counted. On the right side of each spread is the printed numeral, a haiku describing the objects, and a footnote introducing readers to various aspects of a traditional Japanese garden. The book ends with a brief description of the Japanese garden and some information about haiku. 

Here is an example. 

9
Hoping for some crumbs,
they nibble at my fingers.
Nine glittering koi.

Koi fish are admired for their colorful appearance and
hardiness. They are also a popular symbol of
determination and strength. Ancient legend tells of a koi
fish that struggled up a huge waterfall in order to be
transformed into a dragon.

Text and Poem © Celeste Davidson Mannis. All rights reserved.

While this book isn't about gardens, it contains a favorite poem. Bronzeville Boys and Girls, written by Gwendolyn Brooks and illustrated by Faith Ringgold, is a collection of 34 poems that celebrates living in an urban setting. Every poem is titled for a child or children from the neighborhood.

Tommy
by Gwendolyn Brooks

I put a seed into the ground
And said, "I'll watch it grow."
I watered it and cared for it
As well as I could know.
One day I walked in my back yard,
And oh, what did I see!
My seed had popped itself right out,
Without consulting me.

Poem © Gwendolyn Brooks. All rights reserved.


I'll wrap up today with a poem from another book that is not about gardening. Always Wondering: Some Favorite Poems of Aileen Fisher, written by Aileen Fisher and illustrated by Joan Sandin, is a collection of 80 poems organized around the themes Think about People, Suddenly, Such Things as These, and Whoever Planned the World.

Package of Seeds
by Aileen Fisher

They can't see their pictures,
they can't read the label--
the seeds in a package--
so how are they able
to know if they're daisies
or greens for the table?
It sounds like a fancy,
it sounds like a fable,
but you do the sowing,
the weeding, the hoeing,
and they'll do the knowing
of how to be growing.

Poem © Aileen Fisher. All rights reserved.


That's it for today. I hope you'll join me tomorrow for our next celebration.

Monday Poetry Stretch - TriCubes

Phillip Larrea is an American poet and syndicated columnist. He is the inventor of a poetic form he calls TriCubes. Tricubes are poems composed of three stanzas, each containing three lines of three syllables. 

Here's an example.

TriCube by Phillip Larrea

Don’t swallow
the whole pie.
Just a bite.

Platitudes
amplified—
Certitude.

What is left
is not right.
But remains.


So, your challenge for the week is to write a TriCube (or two). Please share a link to your poem or the poem itself in the comments.

Sunday, April 03, 2016

NPM Celebrations - National Frog Month

April is National Frog Month. Found on every continent, frogs and toads (which are just a type of frog) are amphibians belonging to the order Anura. Coming in a wide array of sizes and colors, there are more than 6000 species of frogs worldwide. Perhaps most surprising to many is the fact that frogs have existed on the earth for more than 200 million years. This fact leads nicely into my first choice for today's celebration.

Tadpole Rex, written and illustrated by Kurt Cyrus, is a story told in verse that includes dinosaurs, the story of a frog's growth and possible connection to these extinct creatures, and bold artwork with up-close and personal views of a range of creatures. And really, what reader wouldn't fall in love with a book that begins this way?
Deep in the goop of a long-ago swamp,
a whopping big dinosaur went for a stomp.

Stomp! went the dinosaur. Squish! went the goop.
Up came the bubbles--
Bloop.
Bloop.
Bloop.
The life cycle of the frog, the demise of the dinosaurs, the explosion of amphibians in the class aura--it's all here in a perfect combination of poetry and science. For those needing a bit more information, Cyrus has added an author's note that explains the "inner tyrannosaur" reference and shares a bit of frog history. Here's an excerpt.
Frogs really did live alongside tyrannosaurs and triceratops. In fact, frogs existed 100 million years before these particular dinosaurs evolved. Fossils show that some prehistoric frogs had short legs, while others had long. Some had wide heads, others narrow. And many, like Rex, had well-developed teeth. Frogs came in all shapes and sizes, just as they do today.
The author's note ends with information about the challenges that frogs face today--pollution, climate change, habitat loss, and more.


Toad by the Road: A Year in the Life of These Amazing Amphibians, written by Joanne Ryder and illustrated by Maggie Kneen, is a collection of 26 poems about the life cycle of the toad. Grouped by season—Spring-Summer, Summer, Late Summer-Fall, and Winter-Spring—each section contains from five to seven poems. On nearly every page readers will find a poem, illustration and brief bit of informational text. Most poems are told in the voice of a toad or group of tadpoles or toads. Here is one of my favorite poems from the book.

Zap, Zap

My tongue is a tool—
Far better than most—
For catching my breakfast,
Though I shouldn't boast.
It's long and it's swift
And it's covered with goo.
I flick it at cricket
And stick him like glue.

This poem is accompanied by the following bit of informational text.
A toad waits and watches an insect or worm creep near. Then it flicks out its sticky tongue to catch it prey. The toad swallows its meal whole and then wipes its mouth clean.
Poem and text ©Joanne Ryder. All rights reserved.


Marsh Music, written by Marianne Berkes and illustrated by Robert Noreika, is a story in verse in which ten different species of frogs meet in a marsh to begin a concert that lasts through the night. Here is how it begins.

The rain has stopped.
Night is coming.
The pond awakes with
quiet humming.

Maestro frog hops to the mound
As night begins to fill with sound.

Peepers peep pe-ep, peep, peep.
They have had a good day’s sleep!

Chorus frogs are hard to see.
Hear them chirping do re mi.

Then the other frogs come in.
Soon the concert will begin.

Text ©Marianne Berkes. All rights reserved.

Back matter of the book includes a glossary of musical terms, as well as information about the species of frogs in the story. “The Cast” of amphibian performers includes “Maestro” Bullfrog, Spring Peepers, Chorus Frogs, American Toads, Green Frogs, Narrow-mouthed Toads, Wood Frogs, Pig Frogs, Green Tree Frogs, Leopard Frogs, and Barking Tree Frogs.



Lizards, Frogs, and Polliwogs, written and illustrated by Douglas Florian, is a collection of 21 poems that introduces readers to all manner of amphibians and reptiles, including polliwogs, the midwife toad, glass frog, wood frog, red-eyed tree frog, bullfrog, poison-dart frog, and spring peepers. Here's an excerpt.

The Glass Frog
by Douglas Florian

Upon a tree
It’s hard to see
Which part is leaf
And which is me
Which part is me
And which is leaf
I’ve lost myself again—
Good grief!

Poem ©Douglas Florian. All rights reserved.

You can find a wealth of resources to extend this topic in the thematic list on frogs and toads.

While you are enjoying some froggy poetry and verse today, why not fold yourself an origami frog?

That's it for today. I hope you'll join me tomorrow for our next celebration.

Saturday, April 02, 2016

NPM Celebrations - Jazz Appreciation Month

April is Jazz Appreciation Month (JAM). This monthly celebration was created at the Smithsonian's National Museum of American History in 2002 to "herald and celebrate the extraordinary heritage and history of jazz." April was chosen because many important figures in jazz  were born in, such as in Lionel Hampton, Ella Fitzgerald, Duke Ellington, Billie Holiday, Tito Puente, and others.

"Jazz is a heartbeat—­its heartbeat is yours." - Langston Hughes

One of the earliest poems with jazz as a subject was written by Carl Sandburg.

Jazz Fantasia
from  Smoke and Steel. 1922.
by Carl Sandburg
Drum on your drums, batter on your banjoes, sob on the long cool winding saxophones. Go to it, O jazzmen.  
Sling your knuckles on the bottoms of the happy tin pans, let your trombones ooze, and go hushahusha-hush with the slippery sand-paper.  
Moan like an autumn wind high in the lonesome tree-tops, moan soft like you wanted somebody terrible, cry like a racing car slipping away from a motorcycle cop, bang-bang! you jazzmen, bang altogether drums, traps, banjoes, horns, tin cans—make two people fight on the top of a stairway and scratch each other’s eyes in a clinch tumbling down the stairs.  
Can the rough stuff … now a Mississippi steamboat pushes up the night river with a hoo-hoo-hoo-oo … and the green lanterns calling to the high soft stars … a red moon rides on the humps of the low river hills … go to it, O jazzmen.

Early poetry on jazz did not mimic the rhythms and syncopations of jazz music. It wasn't until the Harlem Renaissance when Langston Hughes embraced the nuances of jazz in his poetry. Today jazz poetry is defined by Poets.org as "a literary genre defined as poetry necessarily informed by jazz music—that is, poetry in which the poet responds to and writes about jazz."

But what is jazz?
Here's a hint.

When I started researching this celebration, I came across a book in our music library entitled The First Book of Jazz (1955). It was written by Langston Hughes and illustrated by Cliff Roberts. Hughes used the story of Louis Armstrong to highlight the history of jazz. Hughes said, "The story of Louis Armstrong is almost the whole story of orchestral jazz in America." In addition to describing the various musical forms that contributed to the development of jazz, Hughes also described the ten basic elements of jazz: syncopation, improvisation, percussion, rhythm, blue notes, tone color, harmony, break, riff, and the joy of playing.
This is a pretty amazing book that provides a terrific introduction to jazz. You can learn more about this title at We Too Were Children, Mr. Barrie and the Open Culture site. You can also see some terrific images of the illustrations at The Invisible Agent.

Since many consider Langston Hughes to be the standard bearer for jazz poetry, let's start here.
You can read more about this performance at the National Endowment for the Humanities blog entitled Art Works.

In addition to the poem performed in the video, this is one of my favorite jazz poems by Hughes. You can read a bit about it Modern American Poetry.

The Cat and the Saxophone
by Langston Hughes

EVERYBODY
Half-pint,—
Gin?
No, make it
LOVES MY BABY
corn. You like
liquor,
don't you, honey?
BUT MY BABY
Sure. Kiss me,
DON'T LOVE NOBODY
daddy.
BUT ME.
Say!
EVERYBODY
Yes?
WANTS MY BABY
I'm your
BUT MY BABY
sweetie, ain't I?
DON'T WANT NOBODY
Sure.
BUT
Then let's
ME,
do it!
SWEET ME.
Charleston,
mamma!

You can learn more about Langston Hughes and Jazz poetry at Perspectives Through Poetry: The Life & Legacy of Langston Hughes.

Another favorite jazz poem of mine is We Real Cool by Gwendolyn Brooks. You can hear her read it at The Poetry Foundation.
While not a book of jazz poetry, Jazz Baby (2007), written by Lisa Wheeler and illustrated by R. Gregory Christie, is a fabulous story in verse of the day in a life of a baby. Throughout the day, family, friends, and neighbors all take part in a jazz-themed dance party. The rhythm and meter are suitably bouncy and so much fun. Here's an excerpt.

Mama swings high.
Daddy swings low.
Swingin'-singin' Baby says,
"Go, Man, Go!"

So they Boom-Boom-Boom
And they Hip-Hip-Hop
And the bouncin' baby boogies
with a Bop-Bop-Bop!

You can watch and listen to Alina Celeste, a family musician and teaching artist, read this title.

If you are looking for some additional children's poetry books on jazz, check out J is for Jazzy, a post from my 2013 National Poetry Month Project.

That's it for today. I hope you'll join me tomorrow for our next celebration.

Friday, April 01, 2016

Poetry Seven Write Ekphrastic Poems

This month the poetry gang wrote poems to images selected by Laura. She shared two images from the frescos that adorn the ceiling of the Founder's Hall at University of St. Thomas.  You can learn more about the frescos and the artist, Mark Balma, at Frescos of St. Thomas. Entitled The Seven Virtues, Laura shared the frescos representing Temperence and Hope. I chose Hope.
Artwork © Mark Balma, photograph © Laura Purdie Salas

This poem was all over the place from the start. I wrote it on Easter Sunday, so I was feeling quite reflective. In the end, I couldn't get politics out of my mind. Apparently, I'm not feeling very hopeful about what I'm seeing and hearing, as this is what came out. I've made a few revisions since that first draft, the biggest change was moving the narrator from "we" to "I." I'm not sure it's better, but it's a start.

What hope?

Life is a
hanging curveball
I may lack confidence
but there is no
designated hitter
I must touch each base
finish each inning
in my own time
always hoping
against hope

But hope is hard
to hold these days

When men shout angrily
that the “other” must go
and citizens fall in line
behind the vitriol
it is nearly impossible
to keep the faith
but I will persevere
and believe in …
   the newborn child
   old souls
   a tender shoot
   giant redwoods
   dawning day
   the setting sun
   truth

I know that like
a migrating bird
I will return home
one day

And it will be good

Poem ©Tricia Stohr-Hunt, 2016. All rights reserved.


You can read the poems written by my Poetry Seven compatriots at the links below.

I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Amy at The Poem Farm. I also hope you'll stop by to check out my project for National Poetry Month, which began today. Happy poetry Friday friends!

NPM Celebrations - April Fool's Day

April 1st is April Fool's Day. This day of trickery, also known as All Fools' Day, has been celebrated in different cultures for a number of centuries. It was popularized in 1700 by English pranksters who played practical jokes on one another.

One of the earliest poems about this day comes from Poor Robin's Almanack, an English satirical almanac that was first published in 1663.

Poor Robin's Almanack, 1790
The first of April, some do say
Is set apart for All Fool's Day;
But why the people call it so
Nor I, nor they themselves, do know,
But on this day are people sent
On purpose for pure merriment.

It seems appropriate that on the day I kick off this year's National Poetry Month project I share a favorite poem by Myra Cohn Livingston. It is from her book entitled Celebrations.
April Fool
by Myra Cohn Livingston

The maple syrup's full of ants.
                                    A mouse is creeping on the shelf.
                               
                                   Is that a spider on your back?
             I ate a whole pie by myself.

The kitchen sink just overflowed.
                                   A flash flood washed away the school.
             I threw your blanket in the trash.

                                   I never lie————I————
                                                                                APRIL FOOL!
Poem © Myra Cohn Livingston, 1985


Kenn Nesbitt shares all kinds of poetry on his web site, Poetry4kids.com. Here's his poem for April Fool's Day.

April Fool's Day
by Kenn Nesbitt

Mackenzie put a whoopie cushion
on the teacher's chair.
Makayla told the teacher
that a bug was in her hair.

Alyssa brought an apple
with a purple gummy worm
and gave it to the teacher
just to see if she would squirm.

Elijah left a piece of plastic
dog doo on the floor,
and Vincent put some plastic vomit
in the teacher's drawer.

Amanda put a goldfish
in the teacher's drinking glass.
These April Fool's Day pranks
are ones that you could use in class.

Before you go and try them, though,
there's something I should mention:
The teacher wasn't fooling
when she put us in detention.

Copyright © 2007 Kenn Nesbitt. All Rights Reserved.


I learned long ago that it's a good idea to share your ideas for a project early, as you never know who might show up in support of your work. I was thrilled to receive a message from Pat Lewis just a few days after posting my plans for this year. He graciously sent me a number of poems to share with you.

April Fool’s Day (April 1)
by J. Patrick Lewis

They say you’re the picture of pretty,
You’re as warm as the heat from the sun,
You’re the lock and the key to the city,
You’re the meat in a hamburger bun!

They say you’re the pick of the litter,
They say that you’re such a good egg.
But, kid, have you stopped to consider
Someone might be pulling your leg?!

Copyright © 2016 J. Patrick Lewis. All Rights Reserved.

You can learn more about April Fool's day in this very short video from The History Channel.

That's it for today. I hope you'll join me tomorrow for our next celebration.

Monday, March 28, 2016

Housekeeping and NPM

I'm looking at the calendar and am excited that this Friday finally ushers in National Poetry Month! I've been doing a bit of housekeeping here on the blog. You'll notice there is now a page (see tabs along the top) for National Poetry Month Projects. On it you'll find links to my National Poetry Month efforts since 2008.

From this page you can link to each year's project and find the posts for each day in the month. If you are interested in getting a sneak peak for this year, click on Celebrations to find my list of topics for the upcoming month. I hope to see you back here Friday for the kick-off!

Monday Poetry Stretch - Opposites

In the last few weeks I've spent some time reading the book MORE OPPOSITES (1991) by Richard Wilbur. Here's a bit of info from the jacket flap of the latter.
"Richard Wilbur, his wife, and their four children used to play a rather unusual game around the dinner table. One member of the family would suggest a word, and then everyone would join in a lively quarrel about its proper opposite." 
Wilbur's first book based on this game, OPPOSITES, was published in 1973. The poems in both volumes are a bit nutty, thoroughly entertaining, and downright clever. Here's one from MORE OPPOSITES.

The opposite of kite, I'd say,
Is yo-yo. On a breezy day
You take your kite and let it rise
Upon its string into the skies,
And then you pull it down with ease
(Unless it crashes in the trees).
yo-yo, though, drops down, and then
You quickly bring it up again
By pulling deftly on the string
(If you can work the blasted thing).

You might want to check out this video of Wilbur reading a number of opposite poems.

So, your challenge for the week is to write an opposites poem. Please share a link to your poem or the poem itself in the comments.

Monday, March 21, 2016

Monday Poetry Stretch - Spring Apostrophe

Spring ushered itself in with a bit of sun and cold today. I'm feeling the need to write simply about my second favorite season of the year.

An apostrophe is a poem which directly addresses a person or thing that is generally absent, hence the more common name of poem of address. There are many days when I want to talk to someone who isn't here, to ask questions, to wonder. Poems of address require poets not to write about something, but to imagine what they would say if they could speak to the person, place, or thing being addresses.

Will you join me in writing an apostrophe to spring? Please share a link to your poem or the poem itself in the comments.

Monday, March 14, 2016

Monday Poetry Stretch - Breakfast of the Birds

Last Monday I spent part of the day at the National Museum of Women in the Arts. It was pretty amazing to see the range of works by women. One of my favorite pieces was an accordion pop-up book on landscapes that included poems on every page. Sadly, it was in a glass case and hard to photograph.

One of my favorite paintings was by German artist Gabrielle Münter. It is called Breakfast of the Birds.

I've been thinking a lot about spring, birds, and this painting, so it seems fitting that we should let this work of art inspire our poems this week. I hope you'll join me this week in writing an ekphrastic poem or two for this piece. Please share a link to your poem or the poem itself in the comments.

Wednesday, March 09, 2016

National Poetry Month - Just Around the Corner

Poetry lovers, start your engines ...

I'm revving up for next month's kickoff of my National Poetry Month project. Inspired by World Rat Day: Poems About Real Holidays You've Never Heard Of (written by J. Patrick Lewis) and The Poetry Friday Anthology for Celebrations: Holiday Poems for the Whole Year in English and Spanish (compiled by Sylvia Vardell and Janet Wong), this time around I've decided to focus on daily, weekly, and monthly celebrations held during the month of April. In addition to information about each celebration, I'll offer up poems, books of poetry, children's books, and more.

I've finally selected the celebrations and topics for each day. I can't wait to dig in and see what kind of resources I'll be able to share.

I can't wait for April to begin! I hope you'll stop by to help me celebrate.

Normal Norman - Riding the Blog Tour Train

Normal Norman, written by Tara Lazar and illustrated by S. britt, is a study in normalcy ... or not. I hear that word normal a lot, and in education, it's not a good word. What is a "normal" student? When we see unexpected behaviors you'll hear "That's just not normal." One size fits all doesn't work in the classroom, and it certainly doesn't work in the real world. And that's really an important point in this book, because normal means being true to yourself, not to the expectations the world holds for you.

We're at the tail end of this blog tour, and lots of other folks have written great reviews of this book (see schedule at end of post for links), so I want to take this in another direction. Here's where my mind went when I first read this book.

The front endpapers - As soon as I opened the book I knew I had a great example my science class. Have you ever taken the DAST? The DAST is the "Draw A Scientist Test." It is designed to get students to think about who scientists are, what they do, and where they do it. Most students draw something similar to what is seen in the front endpapers. What most picture when they hear "scientist at work" is a space similar to a chemistry lab, with beakers and test tubes, equations on the wall or board, the periodic table, etc. This scene is no different. That's okay, because I like breaking down the stereotype.
The opening - The book opens with this introduction.
Hello and welcome to "Normal Norman."
This is my first time narrating a book.
I'm a bit nervous. I hope it goes well.
My assignment today is to clearly
define the world NORMAL.
On the facing page is a picture of the Head Scientist (a man sitting behind a desk bearing a sticker that reads I science) and the Junior Scientist, our intrepid narrator. Clearly, the goal here is to come up with an operational definition. This can be a tricky concept for students, as an operational definition is a clear, concise detailed definition of a measure. By the end of the book it's clear that one does not exist for the word normal.

The narrator - Most students completing the DAST draw men at work in science, not women. I love that the junior scientist and "humble narrator" is a young girl, tasked with observing and describing Norman.

The science - Science experiments and demonstrations sometimes don't go as planned. They often provide unexpected results. They can be frustrating, particularly when they don't go your way. Our narrator learns this lesson very quickly. Scientists can't make results go their way, no matter how hard they try. And boy, does the narrator try to get Norman to act normal.

The language - I'm quite taken with the way Lazar has managed to use context clues to help define terms. Here's an example.
In fact, we selected Norma because our
scientists found Norman to be the most
average animal on earth. Regular.
Ordinary. A common, everyday creature.
Return from the brief interruption - Not all work scientists do happens in a lab. In fact, quite a bit of it happens in the field. When Norman asks the junior scientist to join him and his friends in their natural habitat, she naturally says yes, and the scene moves outdoors.

The ending - The fact that the head scientist picks up the clipboard and writes in some results is most satisfying. I won't, however, give away this perfect ending.

The back endpapers - The head scientist and junior scientist look a bit startled to find that Norman is now observing them. I had to chuckle. It was a wonderful contrast to the front endpapers.

Text ©2016 Tara Lazar, all rights reserved. Illustrations ©2016 S. britt, all rights reserved.

I thoroughly enjoyed NORMAL NORMAN and can't wait to share it. Thanks to Josh Redlich for including The Miss Rumphius Effect in this tour.

Monday, March 07, 2016

Monday Poetry Stretch - Arte Mayor

I made an impromptu visit to DC to spend a few quality hours with my sister, so today I'm sliding in just under the wire with this week's stretch.

Arte  Mayor is a Spanish verse form. It is composed of an 8-line stanza with the rhyme scheme a b b a a c c a. Each line is composed of 12 syllables in two hemstitches. The lines use amphibrachic tetratmeter. This means the stress are on syllables 2, 5, 8, and 11.

You can read a bit more about this form at Encyclopedia Britannica and Poetry Magnum Opus. Note that this form is sometimes referred to as Copla de Arte Mayor. (Copla is the Spanish word for stanza, so arte mayor names the type of stanza.)

So, there's your challenge for the week. I hope you'll join me in writing an arte mayor. Please share a link to your poem or the poem itself in the comments.

Friday, March 04, 2016

Poetry Seven Write Sedoka

We had a whole month (albeit a shorter one) to write sedoka. For some reason I couldn't get going on this one, and really struggled to find a topic to write about. I didn't read the poems my sisters wrote, because I was afraid that would make writing my own poems harder. I finally found my voice and subject late Wednesday night into early Thursday morning, as I watched Scott Kelly return to US soil.

I've been avidly following his year. I've read the tweets, watched the videos, and marveled at a life lived in space. It's been bittersweet for me, as at every turn I was reminded of my father, who would have loved following and sharing this. I know he would have watched Kelly's departure from the space station and return to Earth as eagerly as I did.

So, my poems for this month's writing challenge are all about space. Before I share them, here's a bit of information about the form.

*****
The sedoka is a Japanese poetic form that is an unrhymed poem made up of a pair of katuata. A katuata is a three-line poem with the syllable count of 5 / 7 / 7. Generally a sedoka addresses the same subject from different perspectives.

*****
From Armstrong to Kelly

July sixty-nine
on a black and white tv
we watched Armstrong touch the moon

Astronaut in space
tweets views while orbiting Earth
one year inside a spacecraft

(Note - I was nearly 4 when Armstrong walked on the moon. The moon landing was the first space event I remember watching with my family.)


Kelly's Year

Well beyond our reach
orbiting above he watched
sixteen sunrises a day

Here below we kept
time, one sunrise and sunset
each day, hurtling through space


Untitled

Challenger was gone
before our eyes ... exploded
shattering the dreams we held

From space a tiny
blip, mini-supernova
saw stars added to the sky

Poems ©Tricia Stohr-Hunt, 2016. All rights reserved.


You can check out some of Scott Kelly's photos at National Geographic, or on his Twitter feed @StationCDRKelly. You may also want to check out this brief video.

You can read the sedoka written by my Poetry Seven compatriots at the links below.
Tanita Davis
Kelly Fineman
Sara Lewis Holmes
Laura Purdie Salas
Liz Garton Scanlon
Andi Sibley

Before I link you to the round up, here are a few photos (scanned from my father's slides) from our visit to Cape Canaveral in 1970.

  

I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Linda at Teacher Dance. Happy poetry Friday friends!