Monday, August 15, 2016

Monday Poetry Stretch - Espinela

The Espinela is a Spanish poetic form composed of 10 lines, each written in eight syllables. It is named for the poet Vicentre Espinel who created the form. Here are the guidelines writing an espinela.

The first stanza is a quatrain with the rhyme scheme a b b a.
There is a break at the end of this stanza, so line 4 should be end stopped.
The next stanza is a sestet with the rhyme scheme a c c d d c.

So, there's your challenge. I hope you'll join me this week in writing an Espinela. Please share a link to your poem or the poem itself in the comments.

Friday, August 05, 2016

Poetry Friday - Poetry Seven Write Ekphrastic Poems

This month the poetry gang wrote poems to images selected by Sara. I was thrilled with her choice, having read about this particular exhibit in the New York Times way back in November. (See the article Smithsonian's Renwick Gallery Reopens With a New Focus.) Here are a couple of photos.
Artwork © Jennifer Angus, photographs © Sara Lewis Holmes 

You can find additional photos on Jennifer Angus' site. You can also read about the ethics of working with insects. And here's one more bit ...
After spending a lot of time looking at the artwork, I couldn't get Charlotte Perkins Gilman's short story, The Yellow Wallpaper, out of my mind. In fact, I was so stuck on it that I've included excerpts in this poem. So, with apologies to Jennifer Angus, because I do love her wall, here is my poem.


In The Midnight Garden
“I never saw a worse paper in my life.
One of those sprawling flamboyant patterns committing every artistic sin.”
It’s a wonder
this pink wall
curious and unrestrained
with its friendly swarms
whirling rosettes
starry-eyed skulls

Listen closely
you may just hear
the low hum of
their wings
the hiss of
their breathing

Stare long enough
and they’ll take on
a life of their own
crawling towards you
and taking flight
“I’m getting really fond of the room in spite of the wallpaper. Perhaps because of the wallpaper.”
It’s not psychosis that
makes me love this wall
It’s getting nose to nose
with Earth’s most repugnant
and abundant creatures
awakening a new reverence
for nature’s least loved
in all their resplendence

Poem ©Tricia Stohr-Hunt, 2016. All rights reserved.


You can read the poems written by my Poetry Seven compatriots at the links below. Laura's in the midst of a big move to a new home and busy, busy, busy, so she's cheering us on today.
I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Tara at A Teaching Life. Happy poetry Friday friends!

Monday, August 01, 2016

Monday Poetry Stretch - Octava Real

We've written in the form Ottava Rima a number of times. It is an Italian form that consists of any number of eight line stanzas with the rhyme scheme abababcc. In English, the lines are usually written in iambic pentameter. Ottava rima is generally associated with epic poems (like Don Juan), but can be used for shorter poems.

The Octava Real is the Spanish version of this form. It is also stanzaic and written in any number of octaves. Instead of iambic pentameter, this form is hendecasyllabic, or written in lines of 11 syllables. It carries the same rhyme scheme (abababcc). Like it's counterpart, it is also a narrative form, generally used for telling a story.

So, there's your challenge. I hope you'll join me this week in writing an Octava Real. Please share a link to your poem or the poem itself in the comments.

Monday, July 25, 2016

Monday Poetry Stretch - Ovillejo

The ovillejo is a Spanish poetic form made popular by Miguel de Cervantes. It is a 10-line poem composed of 3 rhyming couplets and a final quatrain written in the form of a redondilla. In addition to rhyming, this form is also syllabic.

The first line of each couplet is 8 syllables long, while the second line is 3-4 syllables. The lines of the redondilla are 8 syllables each, with the final line composed of a repetition of lines 2, 4, and 6.

Here's what the poem looks like.

1 - x x x x x x x a
2 - x x x a

3 - x x x x x x x b
4 - x x x b

5 - x x x x x x x c
6 - x x x c

7 - x x x x x x x c
8 - x x x x x x x d
9 - x x x x x x x d
10 - line 2, line 4, line 6

You can read more about the ovillejo at Poetry Forms. You can read about the redondilla at Poetry Magnum Opus.

So, there's your challenge. I hope you'll join me this week in writing an ovillejo. Please share a link to your poem or the poem itself in the comments.

Tuesday, July 19, 2016

Monday Poetry Stretch - Golden Shovel

I know, it's Tuesday again. I'll just chalk my lateness up to my summer schedule.

I've been thinking a bit about this excerpt I read in this interview with Max Ritvo.
"I’ve never really understood the point of poetry, if not to expose you to different forms of mentation. You can write about whatever you want to write about, it’s your prerogative as a poet, but at the end of the day, what a poet does is let you inhabit a different way of thinking for a brief moment of time. For a very very brief bit of time, logic tacks together in ways it never has, and you’re able to have a series of free associations that’ve never been in your brain, or hopefully in any brain, before. I think that this endures so much more than the message of any poem."
I like thinking about poetry as a different way of thinking, though I've always thought of it as a different way of seeing. I write (usually) with a scientist's eyes, practicing the art of looking closely. I also write with the heart of a mathematician, because I love to puzzle through form and structure.

This week let's puzzle through the form Golden Shovel. This form was invented by Terrance Hayes. In writing a golden shovel, you must first borrow a favorite line or lines from a poem to create your own. The words in this line become the end words of your poem. If you choose a six word line, your poem with have 6 lines. If you choose a 12 word line, your poem will have 12 lines. You get the idea. Remember to credit the original poem/poet in the title or an epigram.

Here's an excerpt from Hayes' poem.

The Golden Shovel
by Terrance Hayes

     after Gwendolyn Brooks

I. 1981

When I am so small Da’s sock covers my arm, we
cruise at twilight until we find the place the real

men lean, bloodshot and translucent with cool.
His smile is a gold-plated incantation as we

drift by women on bar stools, with nothing left
in them but approachlessness. This is a school

     Read the poem in its entirety.


Hopefully you can see Brooks' poem (We Real Cool) in the end words of each line.

So, there's your challenge. I hope you'll join me this week in writing a golden shovel. Please share a link to your poem or the poem itself in the comments.

Tuesday, July 12, 2016

Monday Poetry Stretch - Englyn cyrch

If orange is the new black, then Tuesday is the new Monday! My apologies for failing to post yesterday. I got caught up in the end of summer school and grading.

The Englyn cyrch is a Welsh poetic form consisting of any number of quatrains. In each stanza, the lines are composed of seven syllables, with lines 1, 2, and 4 sharing an end rhyme. The end rhyme of line 3 rhymes with a middle syllable (3rd, 4th, or 5th) or line 4. Here's what the pattern looks like.

x x x x x x a
x x x x x x a
x x x x x x b
x x x b x x a

You can read more about Englyn at Wikipedia.

That's it. Easy-peasy, right? I hope you'll join me this week in writing an Englyn cyrch. Please share a link to your poem or the poem itself in the comments.

Monday, July 04, 2016

Monday Poetry Stretch - Diatelle

I've been searching a bit online for some "new" and different poetry forms. I discovered a site, The Writer's & Poetry Alliance Club, that not only explains traditional poetic forms, but includes numerous invented forms as well.

The diatelle is syllabic form with a rhyme scheme. It looks a bit like a double etheree, but it is different. Here are the guidelines.
syllable pattern: 1 / 2 / 3 / 4 / 6 / 8 / 10 / 12 / 10 / 8 / 6 / 4 / 3 / 2 / 1
rhyme scheme: a b b c b c c a c c b c b b a

That's it. Easy-peasy, right? I hope you'll join me this week in writing a diatelle. Please share a link to your poem or the poem itself in the comments.