Showing posts with label nonfiction. Show all posts
Showing posts with label nonfiction. Show all posts

Monday, February 14, 2022

Announcing the #KidsLoveNonfiction Campaign

This morning, Mary Ann Cappiello, Professor of Language and Literacy at Lesley University, and Xenia Hadjioannou, Associate Professor of Language and Literacy Education at the Harrisburg campus of Penn State University, sent the letter below to The New York Times requesting that the paper add three children's nonfiction bestseller lists to parallel the existing picture book, middle grade, and young adult lists, which focus on fiction.

This change will align the children's lists with the adult bestseller lists, which separate nonfiction and fiction. It will also acknowledge the incredible vibrancy of children's nonfiction available today and support the substantial body of research showing that many children prefer nonfiction and still others enjoy fiction and nonfiction equally.

If you support this request, please follow the signature collection form link to add your name and affiliation to the more than 200 educators and librarians who have already endorsed the effort. Your information will be added to the letter but your email address will remain private.
 

LETTER TO THE NEW YORK TIMES
Nonfiction books for young people are in a golden age of creativity, information-sharing, and reader-appeal. But the genre suffers from an image problem and an awareness problem. The New York Times can play a role in changing that by adding a set of Nonfiction Best Seller lists for young people: one for picture books, one for middle grade literature, and one for young adult literature.  
Today’s nonfiction authors and illustrators are depicting marginalized and minority communities throughout history and in our current moment. They are sharing scientific phenomena and cutting-edge discoveries. They are bearing witness to how art forms shift and transform, and illuminating historical documents and artifacts long ignored. Some of these book creators are themselves scientists or historians, journalists or jurists, athletes or artists, models of active learning and agency for young people passionate about specific topics and subject areas. Today’s nonfiction continues to push boundaries in form and function. These innovative titles engage, inform, and inspire readers from birth to high school. 
 
Babies delight in board books that offer them photographs of other babies’ faces. Toddlers and preschoolers fascinated by the world around them pore over books about insects, animals, and the seasons. Children, tweens, and teens are hungry for titles about real people that look like them and share their religion, cultural background, or geographical location, and they devour books about people living different lives at different times and in different places. Info-loving kids are captivated by fact books and field guides that fuel their passions. Young tinkerers, inventors, and creators seek out how-to books that guide them in making meals, building models, knitting garments, and more. Numerous studies have described such readers and their passionate interest in nonfiction (Jobe & Dayton-Sakari, 2002; Moss and Hendershot, 2002; Mohr, 2006). Young people are naturally curious about their world. When they are allowed to follow their passions and explore what interests them, it bolsters their overall wellbeing. And the more young people read, the more they grow as readers, writers, and critical thinkers (Allington & McGill-Franzen, 2021; Van Bergen et al., 2021).

Research provides clear evidence that many children prefer nonfiction for their independent reading, and many more select it to pursue information about their particular interests (Doiron, 2003; Repaskey et al., 2017; Robertson & Reese, 2017; Kotaman & Tekin, 2017). Creative and engaging nonfiction titles can also enhance and support science, social studies, and language arts curricula. And yet, all too often, children, parents, and teachers do not know about recently published nonfiction books. Bookstores generally have only a few shelves devoted to the genre. And classroom and school library book collections remain dominated by fiction. If families, caregivers, and educators were aware of the high-quality nonfiction that is published for children every year, the reading lives of children and their educational experiences could be significantly enriched.

How can The New York Times help resolve the gap between readers’ yearning for engaging nonfiction, on the one hand, and their lack of knowledge of its existence, on the other? By maintaining separate fiction and nonfiction best seller lists for young readers just as the Book Review does for adults.
The New York Times Best Sellers lists constitute a vital cultural touchstone, capturing the interests of readers and trends in the publishing world. Since their debut in October of 1931, these lists have evolved to reflect changing trends in publishing and to better inform the public about readers’ habits. We value the addition of the multi-format Children’s Best Seller list in July 2000 and subsequent lists organized by format in October 2004. Though the primary purpose of these lists is to inform, they undeniably play an important role in shaping what publishers publish and what children read.

Adding children’s nonfiction best-seller lists would:
  • Help family members, caregivers, and educators identify worthy nonfiction titles.
  • Provide a resource for bibliophiles—including book-loving children—of materials that satisfy their curiosity.
  • Influence publishers’ decision-making.
  • Inform the public about innovative ways to convey information and ideas through words and images.
  • Inspire schools and public libraries to showcase nonfiction, broadening its appeal and deepening respect for truth.

We, the undersigned, strongly believe that by adding a set of nonfiction best-seller lists for young people, The New York Times can help ensure that more children, tweens, and teens have access to books they love. Thank you for considering our request.

Dr. Mary Ann Cappiello 
Professor, Language and Literacy
Graduate School of Education, Lesley University
Cambridge, Massachusetts 
Former Chair, National Council of Teachers of English (NCTE) Orbis Pictus Award for Outstanding Nonfiction Committee 

Dr. Xenia Hadjioannou
Associate Professor, Language and Literacy Education
Penn State University, Harrisburg Campus
Harrisburg, PA
Vice President of the Children’s Literature Assembly (CLA) of the National Council of Teachers of English (NCTE). 
 
References
  • Allington, R. L., & McGill-Franzen, A. M. (2021). Reading volume and reading achievement: A review of recent research. Reading Research Quarterly, 56(S1), S231–S238. https://doi.org/10.1002/rrq.404
  • Correia, M. (2011). Fiction vs. informational texts: Which will your kindergarteners choose? Young Children, 66(6), 100-104.
  • Doiron, R. (2003). Boy Books, Girl Books: Should We Re-organize our School Library Collections? Teacher Librarian, 14-16.
  • Kotaman H. & Tekin A.K. (2017). Informational and fictional books: young children's book preferences and teachers' perspectives. Early Child Development and Care, 187(3-4), 600-614, DOI: 10.1080/03004430.2016.1236092
  • Jobe, R., & Dayton-Sakari, M. (2002). Infokids: How to use nonfiction to turn reluctant readers into enthusiastic learners. Markham, Ontario, Canada: Pembroke.
  • Mohr, K. A. J. (2006). Children’s choices for recreational reading: A three-part investigation of selection preferences, rationales, and processes. Journal of Literacy Research, 38(1), 81–104. https://doi.org/10.1207/s15548430jlr3801_4
  • Moss, B. &  Hendershot, J. (2002). Exploring sixth graders' selection of nonfiction trade books: when students are given the opportunity to select nonfiction books, motivation for reading improves. The Reading Teacher, vol. 56 (1), 6+.
  • Repaskey, L., Schumm, J. & Johnson, J. (2017). First and fourth grade boys’ and girls’ preferences for and perceptions about narrative and expository text. Reading Psychology, 38, 808-847.
  • Robertson, Sarah-Jane L. & Reese, Elaine. (Mar 2017). The very hungry caterpillar turned into a butterfly: Children's and parents' enjoyment of different book genres. Journal of Early Childhood Literacy, 17(1), 3-25.
  • Van Bergen, E., Vasalampi, K., & Torppa, M. (2021). How are practice and performance related? Development of reading from age 5 to 15. Reading Research Quarterly, 56(3), 415–434. https://doi.org/10.1002/rrq.309
If you support the request to add three children's nonfiction bestseller lists to parallel the existing lists, which focus on fiction, please add your name and affiliation to the signature collection form

Wednesday, April 07, 2021

For the Love of Spiders and Spi-ku

I've been a fan of spiders for ages, long before I became a faculty member at the only college in the country with a spider mascot. As a classroom teacher I had a tarantula in my classroom and often shared spider-related humor with my students. A particular favorite was this Calvin and Hobbes strip. 
If you can't quite make out the text, here's what Calvin opines.
Like delicate lace,
so the threads intertwine,
Oh, gossamer web
of wondrous design!
Such beauty and grace
wild nature produces … 
UGHH, look at the spider
suck out that bug’s juices! 

While many folks focus on the "yuck factor," spiders are truly fascinating creatures. Leslie Bulion has fully captured how amazing they are in both verse and prose in Spi-ku: A Clutter of Short Verse on Eight Legs. Add in the incredible illustrations by Robert Meganck and you have a masterpiece that even arachnophobes will love.

Bulion is a master of informational texts that marry engaging, kid-friendly poetry with science. I wish her books had been around 33 years ago when I settled into my first classroom, eager to put science books in kids hands that would neither put them to sleep with their didactic approach to content, nor turn them away with the complexity of the writing. Not only were truly exceptional nonfiction science books hard to find back then, but poetry was almost nonexistent. As someone who encourages teachers to integrate poetry and children's literature into content area instruction, Leslie's books are a gift.

Let's start this review by exploring from the back. My students know how much I love back matter. It's one of the components that I believe separates good nonfiction texts from great ones. The back matter in Spi-ku consists of a glossary of 24 terms, notes on poetics forms, spider identification that includes common and scientific names (genus and species) for the 53 spiders illustrated so carefully by Meganck, ideas for going on a spider hunt, an annotated bibliography with resources for further study, the author's acknowledgements (yes, she consulted with experts!), a double-page spread showing spiders' relative sizes, and a page of close-up illustrations of the spiders that appear on the cover. Phew! See what I mean about back matter? This information adds a welcome layer of depth to the text.

While many of the poems in the text use Japanese or Japanese-inspired forms, such as haiku, tanka, dodoitsu, and cinquain, there are other forms, including limerick, double dactyl, free verse, concrete, and many more. The first poem, "Araneae All Around" provides a nice introduction to the humble spider and the volume. The poems are all accompanied by illustrations of spiders, their silks, and webs. I found myself constantly flipping between the pages and the spider identification in the back to try and determine exactly what spiders I was looking at. After the introductory poem, Bulion introduces arachnids, or the class of invertebrates that spiders belong to.

(Click to enlarge.)

I adore the word play in using mite in this poem. This is the kind of thing that students will remember. I know this one turn of phrase is a great way to remember at least one other type of organism found in the arachnid class. As pictured above, each double-page spread includes one or more verses and a block of informational text. The spiders highlighted in the text blocks appear in boldface to make them stand out. The information unfolds in a thoughtfully organized fashion, taking readers on a journey that has them learning about spider silk, spider movement, how they catch and eat their meals, their webs, how some spiders capture prey without the use of a web or snare, how spiders fool both prey and predators, spider senses, and so much more. 

I learned as much from the poems in the book as I did the nonfiction excerpts. The 3 different spreads on spider enemies all include poems for two voices and are particularly engaging when read aloud. The text ends with a final poem entitled "Appreciate Araneae!" After learning so much about them, it's hard not to appreciate all they contribute to "Our Spiderful World," which just so happens to be the heading for the last block of nonfiction text. (Go ahead, see for yourself!)

(Click to enlarge.)

There is so much to love in this volume. I encourage all you folks who are fearful or disdainful of spiders to be brave and take a peak. I guarantee that by the end of it, even the biggest spider-haters will be converts. 

For all you teachers out there, Leslie has developed a particularly useful Educator's Guide. Don't miss it!

Thanks to PeachTree for sending me a copy of the book and including me on the blog tour. You can check out the other stops this week to learn more.
You can learn more about Leslie Bulion and her books at her web site. You can also find her on social media at:
You can learn more about Robert Meganck and his art on his web site. (Turns out, he's my neighbor here in Virginia. Hi Robert!) You can also find him on social media at:
Finally, keep up with PeachTree Publishing and see what's new in their world of books at:

Saturday, February 10, 2018

#nf10for10 - Inspiring Future Scientists

I've been away from blogging for a while, only checking in when I'm writing with my poetry sisters. Now that the spring semester is well underway, I'm trying to get back in the swing of things. Since it's February 10th and I love book lists, the nonfiction 10 for10 seemed a good way to start.

This academic year (17-18) I've been fortunate to go back to teaching a stand alone science methods course. This means I have 14 full weeks to spend with preservice teachers thinking about best practices in teaching elementary science. One of skills we develop is in keeping a scientist's notebook. In addition to using it for close observations, wonder questions, experimental data, nature observations, and more, we are using it to compare our work to the work found in the notebooks of naturalists and scientists. In doing this, I've been sharing a number of books about scientists. Here are just a few of my favorites. I hope you consider sharing these with your future scientists.

written by Robert Burleigh and illustrated by‎ Raúl Colón

written by Matthew Clark Smith and illustrated by Giuliano Ferri 

written by Suzanne Slade and illustrated by Jessica Lanan 

written by Jim Ottaviani and illustrated by‎ Maris Wicks 

written by Julia Finley Mosca and illustrated by‎ Daniel Rieley 

written by Jess Keating and illustrated by Marta Alvarez Miguens 

written and illustrated by Stephanie Roth Sisson  

written by Jeannine Atkins  

written and illustrated by Rachel Ignotofsky  

written by H. Joseph Hopkins and illustrated by‎ Jill McElmurry  

This is just the tip of the iceberg, but I'm sticking to 10, though I do want to cheat and throw in a few more. I guess that just means I'll need to revisit this topic.

You can read more about nf10for10 at It's Coming: February's Nonfiction Picture Book Event.

Friday, February 19, 2016

Nonfiction 10 for 10 - Recommendations from a Teenage Boy

How could I possibly pick the 10 nonfiction books I can't live without? Frankly, it's an impossible task for me. I use children's literature in every class I teach. I loan them to students, take them on school visits, and read them to my kid (who is now 15).

I also create a LOT of thematic book lists for teachers, so as I look at my shelves I find them lined with favorites. Since I couldn't settle on a topic or find it in my heart to stop at 10, I asked my son to pick some of his favorite books to share. Here are the books he remembers fondly and thinks other nonfiction loving boys will enjoy. I'll add that I believe boys and girls, avid and reluctant readers—ALL kids will find these interesting reads. So without further ado, William's list. Whatever you do, don't let the first title scare you away, as this is a pretty amazing list of titles.

*****
Jurassic Poop: What Dinosaurs (And Others) Left Behind, written by Jacob Berkowitz and illustrated by Steve Mack is a book about ancient poop. This is a boy's dream--dinosaurs and poop in one book! I'm not a fan of potty books or humor, but must admit that this book is a real gem. Chapter 1, A Message From A Bottom, begins with illustrations of a T-Rex leaving a turd "larger than two loaves of bread" and shows how that "king-sized poop" becomes a coprolite. Coprolite is the "polite word for fossil feces." Readers learn that coprolites can be frozen, dried or lithified. They also learn about doo-doo detectives (scientists who study coprolites) and much more. There is humor in this book, a huge number of synonyms for poop, and a TON of science.


Can We Save the Tiger?, written by Martin Jenkins and illustrated by Vicky White, is an oversize volume with gorgeously detailed pencil sketches and a text that neither talks down to readers nor glosses over the difficult problems we humans have created. While Jenkins begins by discussing animals that are now extinct and why that is so, he goes on to discuss endangered species and once-threatened animals whose numbers are now on the rise. Discussing endangered species is a complex issue, impacting not only the animals themselves, but the humans that live in close proximity to them. Saving animals, while noble, is not always a black and white issue. Jenkins tackles this head on in a conversational and understandable way. 

Animals profiled include dodo, stellar sea cow, marsupial wolf, great auk, broad-faced potoroo, tiger, Asian elephant, sloth bear, African hunting dog, partula snail, quokka, mariana fruit dove, ground iguana, white-rumped vulture, sawfish, European crayfish, golden arrow poison frog, American bison, white rhinocerous, Antarctic fur seal, vicuna, kakapo, Rodrigues flying fox, whooping crane, Bermuda petrel, and polar bear. On the final page readers will find an illustration of Sander's slipper orchid, a plant that is protected because it is endangered. Back matter includes suggestions for further Web research and an index. 


Vulture View, written by April Pulley Sayre and illustrated by Steve Jenkins - Scavengers and decomposers play a very important role in maintaining the balance of the ecosystem. In helping to break down dead organisms, they are responsible for returning basic nutrients to the soil so that they may reenter the chain. In this book, we get a glimpse of the scavenging role that vultures play. I know that right now some of you are saying, "Gross! Why would I want to learn about these disgusting birds?" Here's my response. First, vultures are incredibly clean birds, bathing and preening regularly. Second, and more importantly, vultures are a vital part of our natural environment, cleaning up dead carcasses and decreasing the spread of some diseases. Third, they're just plain interesting.

In rhythmic, precise text, Sayre teaches us much about the amazing turkey vulture. Here's an excerpt on how they find their food. Readers learn that vultures soar on thermals, taking to the air as it warms, returning to roost in the trees as air cools. The book ends with a section entitled Get To Know Vultures, with the Subsections: (1) Soaring Up, Up, Up!; (2) The Vulture Family; (3) Nature's Cleanup Crew; (4) Family Life and Range; and (5) Heads Up, Young Scientists. It is packed with information and even includes a link to the Turkey Vulture Society's web site, as well as information on festivals that celebrate vultures/buzzards.

Down, Down, Down: A Journey to the Bottom of the Sea, written and illustrated by Steve Jenkins, treats readers to the wonder of the world's oceans. Jenkins' tour of the oceans begins at the surface and ends in the Marianas Trench. Each double page spread contains a paragraph (or two) of information about that particular depth, illustration of the inhabitants, and a depth meter. The depth meter appears on the right edge of each spread and extends from the top of the page (the surface) to the bottom (deepest spot in the ocean). The depth is marked with what looks like a red push-pin and is labeled with the distance below sea level (in both feet and meters) and the temperature (in both Fahrenheit and Celsius).

How much do we really know about the earth's oceans and the creatures that live there? The answer is, not much. In clear, concise text, Jenkins takes us on an unbelievable, fact-filled journey. The illustrations of the creatures, from the beautiful and familiar to strange and exotic (weird!), are gloriously rendered. (See images herehere and at this terrific review at Seven Imp.) At the end of the book are five full pages of background information on the animals in the book. Each section includes a diagram that shows the size of each creature compare to an adult human's body or hand. The final page includes a brief bibliography and another depth meter that shows how deep humans and sea vessels can descend.


Volcano Rising, written by Elizabeth Rusch and illustrated by Susan Swan, looks at volcanoes as constructive forces of nature, building up the surface of the Earth. Beautifully illustrated in mixed media with lots of examples and labels, this book uses two levels of text to engage readers. The first level of text provides readers with basic volcano information. This is accompanied by detailed informational text that provides more comprehensive information on volcanoes. Both levels of text are well-written and make the concepts accessible for readers across a range of ages. Together the text and illustrations offer a dramatic introduction to volcanic activity.

Rusch introduces readers to 8 different volcanoes around the world and explores their impact when found in what some might consider unusual places, like under a glacier or on the seafloor. Back matter includes a glossary of 30 volcano vocabulary words and an extensive bibliography.


Bubble Homes and Fish Farts, written by Fiona Bayrock and illustrated by Carolyn Conahan, is an all-out fun-fest of animal bubbleology. Ho do animals use bubbles? After reading this title, a better question is how don't they?! Before reading this try to guess what animals and/or bubble strategies might be highlighted. Whales and bubble netting? Check. Tree frog nests? Check. And ... that's where the knowledge of most readers ends. Who knew there were so many ways to use bubbles? All total, Bayrock has introduced readers 16 different animals that sail through the water, run on its surface, and even taste disgusting, all thanks to bubbles.

Accompanied by a soft palette of gorgeous watercolor illustrations, Bayrock takes readers on a journey into worlds not often explored. Each double-page spread begins with a short sentence that describes the way in which bubbles are used. Beneath that are the common and scientific names for an animal, followed by a paragraph that describes how that particular creature uses bubbles in its daily life. The illustrations are whimsical, with each animal spouting its thoughts in, you guessed it, a bubble.

The back matter in the book contains end notes about each animal, including its habitat, where in the world it lives, and even more amazing facts. There is also a glossary of terms and an index, as well as a lengthy list of acknowledgments, a huge number of them scientists and scholars who aided the author in her research. This is a well-researched, thoroughly engaging book for studying animals and the way they adapt to their environment. 


What's for Dinner?: Quirky, Squirmy Poems from the Animal World, written by Katherine B. Hauth and illustrated by David Clark, is a collection of poems about food chain topics. The introductory poem, "What's for Dinner," explains why animals must find food. What follows this introductory piece are humorous, graphic, scientific, inventive and just downright fun poems. Accompanied by equally graphic and humorous illustrations, the perfect pairing of word and art gives us a book that readers will love. In the poem entitled "Waste Management," a rather haughty-looking vulture pulls at a strand of the innards of a carcass while standing on the exposed ribs. While most of the poems are about animals, the last entry, "Eating Words," uses poetry and word roots to define insectivore, carnivore, herbivore, and omnivore.

The back matter includes a section entitled More Words About the Poems, which explains a bit more of the science and further explains vocabulary terms such as symbiosis, parasitism, mutualism, commensalism, and more. More Words About  the Animals provides background information for each of the poems. The final page of the book provides some additional titles for learning more about the animals in the book.


Hottest, Coldest, Highest, Deepest, written and illustrated by Steve Jenkins, is a book that examines extremes in the natural world, such as the highest mountain (based on elevation), longest river, location with the most extreme tides, the driest spot on earth, and more. Jenkins grabs the attention of readers from the first page and makes them want to know about all these places. On every double-page spread that follows is a statement of fact, an inset map showing location, a bit of informational text, and some other graphic to help readers visualize and better understand the information. There is no back matter in this volume, but the final page does include a world map that pinpoints the 12 locations described. 


Born to Be Giants: How Baby Dinosaurs Grew to Rule the World, written and illustrated by Lita Judge, not only answers this question, but explores how dinosaurs hatched from eggs grew and survived to become some of the largest creatures that ever walked the earth. Judge uses evidence discovered by paleontologists and to hypothesize how dinosaurs may have behaved. Judge doesn't shy away from difficult vocabulary in the text, using words like altricial and precocial. However, readers are supported in understanding these words through simple, explanatory sentences, as well as the inclusion of a glossary. Eight species of dinosaur are explored in the book. Early on readers are introduced to Argentinosaurus, a dinosaur that likely weighed as much as 17 elephants. Imagine for a moment just how large this dinosaur must have been. Now juxtapose this with the knowledge that the largest dinosaur eggs ever found were only 18 inches long. As Judge tells readers, "These mothers probably couldn't protect their tiny babies without trampling them underfoot." Dinosaurs may have been giants, but surviving to adulthood was no easy task. The text leaves readers much to ponder while also providing a wealth of factual information. There are some brief notes in the back matter about each of the dinosaur species, including pronunciation (always important with dinosaur names), approximate size, location of fossils, and period of appearance.



Nic Bishop Frogs, written and photographed by Nic Bishop, provides readers with a thorough introduction to members of the order Anura. Found on every continent, frogs and toads (which are just a type of frog) come in every imaginable size and color. Bishop does an outstanding job presenting this variety in the photographs and text. The text in this book is inherently understandable. Each page has a main idea written in large font, a paragraph of information, and a short section in small font with an additional fact or two. Every page is filled with scientific information, amazing and sometimes quirky facts, and gorgeous photos. One the page accompanying a photo of a glass frog (one in which you can see through its skin to its internal organs), readers learn that frogs have 159 bones, nearly 50 less than the number found in the human body. Bishop explains that frogs do not have rib bones, and that this explains why frogs are so good at squeezing through "small gaps, like between your fingers when you are trying to hold them."

It is clear that Bishop has his readers carefully in mind. Scientifically, he doesn't talk down to them, but rather helps to make the mystery that is life and science more understandable. The conversational tone hooks readers and keeps them interested. What kid hasn't wanted to hold a frog in his/her hand, only to have it wriggle away? The text as a whole is thoughtfully laid out and proceeds in an orderly and reasonable fashion through a variety of topics, from where frogs live, to what they look like, how their bodies are constructed and adapted, their eating habits, means of escaping predators (camouflage and those incredible legs and jumping skills), the sounds they make, reproduction, and much more.

In the back matter, Bishop devotes two pages to describing his love for his work, the process of photographing frogs, and the interesting experiences he had along the way. Kids will love learning about how he captured the images on film almost as much they will love learning about the frogs.

*****
So, there you have it. These works of nonfiction are sure to spark curiosity and delight many young readers. And by the way, the teenage boy had difficulty stopping at 10 too! Settling on one Nic Bishop book was struggle, as was deciding which Jenkins' books to leave off the list, or which dinosaur book to choose. All in all, he did a fine job. I hope you love these as much as he does. I know I do.

Wednesday, May 19, 2010

Nonfiction Picture Books - What I Love and What Makes Me Crazy

I love nonfiction. I do, I do, I do. And I can say without a doubt how far those books have come in style and readability since I was a kid. Even the books I used when I first started teaching can't hold a candle to the great stuff that's being published these days. What follows is an analysis of the strengths and weaknesses of nonfiction picture books. Please note that EVERY book listed here, whether used to illustrate strengths or weaknesses, is a WINNER in my book. I do not hesitate to recommend any of these titles.

What I Love, Love, Love
Here's what I love about the current crop of nonfiction picture books.

Illustrations - Holy mackerel! I weeded my bookshelves this time last year and the illustrations and photographs in some of the books produced in the 80s were downright laughable. The books I'm seeing now are SLICK. There's just no better word for it. Those with photographs are gorgeous. Some writers use their own incredible pieces (Nic Bishop, Sarah Campbell), while others rely on a growing body of stock photos that are just as beautifully crafted. And how about those author/illustrators? Their books come in a range of artistic styles and media, but the marriage of text and illustration produces stunning results. Don't believe me? Consider the quality of work produced by the likes of Brian Floca, Gail Gibbons, Lita Judge, Steve Jenkins, Loreen Leedy, Meghan McCarthy, Jeanette Winter, and others. Even non-readers and early readers can find things to enjoy and learn from in these books as they begin to interpret and make meaning from the illustrations.

Quality of Writing - I truly believe that writers of nonfiction for children have gotten more skilled over the years. From texts for the youngest readers to more sophisticated works for the 9-12 age range, it's clear that these folks take the craft of writing seriously. Not only do they manage to share essential bits of information in interesting ways, they organize and arrange the information in a manner that draws readers in and propels them along. And please don't buy into the notion that nonfiction is boring. These people are terrific storytellers and use their skills to great advantage in producing highly readable informational texts.

If you're interested in learning more about the craft of writing nonfiction, what inspires these authors, and how they go about their work, be sure to visit the blog I.N.K.: Interesting Nonfiction for Kids.

Wealth of Topics - For a long time it seemed to me that all the nonfiction texts I read, particularly those in science, covered the same ground. These days, however, authors of nonfiction are opening doors to topics big and small. Looking for a book on the history of the alphabet? Check out Ox, House, Stick: The History of Our Alphabet. Interested in learning about floating lighthouses? Look no further than Lightship. Are you both grossed out and fascinated by tapeworms and lice? Then you won't want to miss What’s Eating You?: Parasites–The Inside Story. I could go on with a list of quirky, engaging, intriguing and highly entertaining titles as there are many of them.

Not only are the topics covered today more interesting and varied, the thematic approaches taken by many authors are downright genius. How do animals use bubbles? The book Bubble Homes and Fish Farts has a wealth of answers. Have you ever thought about sibling relationships in nature? You can learn all about them in Sisters and Brothers: Sibling Relationships in the Animal World. If you've wondered about something, chances are an author has too, and if you know where to look there's probably a book out there waiting for you.

What Frustrates Me
While my love for nonfiction is very real, there are two things about nonfiction picture books that make me completely CRAZY! I don't generally fault authors for these missing features, as they seem to be design choices. If any editors, agents, or other publishing type folks are reading this, I'd love an insider's view on these nagging issues. To some readers, reviewers, and teachers using nonfiction picture books, these choices often don't make a whole lot of sense.

MISSING Page Numbers - I know that a lot of picture books don't have pages numbers. This makes sense since the standard is 32 pages, though some titles fall in the range of 24-48 pages. For fiction titles I don't see a reason to pinpoint specific pages, but for many nonfiction titles it's absolutely essential. Suppose I want to point readers to the pages on the Dark Zone in Jenkins' book Down, Down, Down: A Journey to the Bottom of the Sea. How exactly can I do that? Additionally, how can I connect the extensive back matter with the pages of text? The answer is, I can't. Why are so many nonfiction picture books lacking page numbers?

While this may not seem like a big deal to some folks, I find it extremely frustrating. Sometimes when I'm writing a review I want to point readers to a particular page where I've described the text in unusual detail or want them to view something specific about an illustration. In a recent review of Lita Judge's book Born to Be Giants: How Baby Dinosaurs Grew to Rule the World I wrote, "Kudos to Judge for making even ferocious meat-eating babies look appealing. Don't believe me? Check out the illustration of the Troodon hatchlings being fed by a parent (near the end of the book)." Imagine how much more precise this review would have been if I could have said something like "Look to the illustrations on pages 37 and 39 for examples."

Lack of page numbers also means that there can be no table of contents and no index. Now, lack of these things isn't a deal-breaker for me when I'm reviewing a nonfiction picture book as I don't often expect them, but for books chock-full of facts they are really useful tools. Let's take Nic Bishop's book Frogs as an example. This title comes in at 48 pages and while it has no table of contents, it does have an extensive index. If I'm a kid interested in dart poison frogs (1, 2, 24-25, 42, 43, 44, 47), frog tongues (15, 44), or how frogs breathe (8, 30, 32, 35, 36), I know EXACTLY where to go. For nonfiction picture books written in a more traditional narrative structure (think biographies like Wangari's Trees of Peace by Jeanette Winter or historical accounts like Meghan McCarthy's Aliens Are Coming!: The True Account Of The 1938 War Of The Worlds Radio Broadcast), page numbers are not really necessary nor are they particularly helpful. But for many kids reading nonfiction, half the fun in perusing these texts lies in their ability to jump around to different bits of interest. In fact, this "a la carte" style of reading is quite common. For those who want to read selectively (picking and choosing specific areas of text) instead of reading in order from front to back, the table of contents and index are essential tools.

**Here's another thought about page numbers. When young readers are learning about conventions of print they need to learn to find page numbers (are they always in the same location?), follow them, and use them to look for specific sections of a book, even a short one. Without page numbers they simply cannot do this. So, while page numbers may not be essential to understanding a story and finding your way around in it, they are vitally important to kids learning to read.**

MISSING Sources - Let's say you've just finished a terrifically interesting book and want to know more. Where did the author get his or her information? Is it accurate? Can it be trusted? Where can you go to learn more? Without a list of sources or acknowledgments, there is no way to know. I wouldn't say a bibliography or list of references is essential in a nonfiction picture book, but it sure would be nice. If you've written a book about sea turtle rescue, it would be nice to know you've consulted with the experts. Now you can argue that Nic Bishop doesn't have references in his books, but the man has a PhD and extensive experience. I trust him. (I know, it's a terrible double-standard, but there you go. Perhaps even a nod to the author's qualifications would help.)

When authors have limited room to tell their stories, I can understand not wanting to devote space to this, but an author's note, end notes, additional sources, etc. often add a great deal to the reading experience. April Pulley Sayre's book Vulture View is 32 pages long. She devotes pages 30 and 31 to additional information about vultures and includes links to a helpful web site. While this section does not include references, readers will find on the copyright page that she thanks reviewers who include the Science Director of the Peregrine Fund, the Director of Conservation Science at the Acopian Center for Conservation Learning at Hawk Mountain Sanctuary, a professor of wildlife science at Virginia Tech, and the Vice President for Policy at the American Bird Conservancy. Phew! This brief thank you tells me that the book has been looked at by the experts and that I can be confident with the accuracy of its contents.

In the grand scheme of things these are really minor complaints, but they do affect the way I read nonfiction picture books. How about you? Do you think I'm all wet or do you agree? What do you love or find frustrating about the nonfiction picture books you're seeing these days?

Thursday, January 21, 2010

Book Review - Food Chains

The series Follow That Food Chain from Lerner Publishing uses the "choose your own adventure" format to provide readers with an exciting new way to learn about the food chain. The books in the series examine food chains by situating them in different ecosystems and then allowing readers to choose an animal to follow through the chain. Ecosystems explored include the Australian Outback, cloud forest, coral reef, desert, estuary, Galápagos Islands, mangrove forest, Nile River, rain forest, savanna, temperate forest, and tundra.

Each book begins with an introduction to the ecosystem or biome that is the focus of the book. The Rain Forest book focuses on rain forests of south America, while the Temperate Forest book focuses on the woods of North America. The next step is for readers to select a tertiary consumer to follow through the chain. In the case of the temperate forest, readers can select the American black bear, gray wolf, great horned owl, Canada lynx, or bald eagle. In the rain forest they can select the jaguar, anaconda, or harpy eagle.

From the outset, there are two things that work really well here. First, one page of text fully describes the members of the food chain (consumers, producers, and decomposers) and their role in it. Then readers are told how to use the book. Here's an excerpt.
Begin your journey through the temperate forest food web by choosing a tertiary consumer. These large carnivores, or meat eaters, as at the top of the food chain. That means, for the most part, they don't have any enemies in the woods (except for humans).

When it's time for the tertiary consumer to eat, pick its meal and flip to that page. As you go through the book, don't be surprised if you backtrack and end up where you never expected to be. That's how food webs work--they're complicated. And watch out for those dead ends! When you hit one of those, you have to go back to page 7 and start over with another tertiary consumer.
So, knowing the task at hand, I chose the gray wolf and turned to page 28 to begin my adventure. Ostensibly, these books are about the food chain, right? That's what the title says. But here's the second thing I really appreciate about these books. They're just as much about the ecosystem and animals as the food chain. The interdependence of all these things becomes apparent as you read. When I got to page 28 I learned a whole lot about gray wolves before I even got to the next phase of food chain investigation. Here are a few examples.
  • Wolves hunt over more space than any other land mammals, except humans.
  • Until the 1960s, rewards were offered for killing gray wolves.
  • Wolves can go up to two weeks without eating.
  • Wolves have been known to eat up to 22 pound in one feeding. (That's almost 1/3 their weight!)
After reading about wolves the text reads, "Last night for dinner, the pack tracked down ..." On the facing page are a series of choices. They include:
  • a pine marten caught scampering across the pine needles
  • a raccoon rubbing his food in a river
  • a panicked white-tailed deer that gave a good chase
  • burying beetles on their way to a new carcass
  • a northern flying squirrel that surprised the pack as he glided to the ground
  • an elk that's been sick all winter
  • an American beaver distracted by the fall of a large tree
I chose the poor elk and flipped to page 14 to read on. This is where I hit a dead end. DRAT! So, I went back to the beginning and chose a great horned owl. From here I followed the chain to a raccoon (the owl ate a baby left alone), then a Canada goose (the raccoon ate goose eggs hidden in the tall grass), then grass and plants near the water (a goose's preferred food), and finally to the earthworms decomposing materials in the soil (which eventually served as nutrients for the plants). PHEW!

The rain forest food chain was just as interesting. I started with the anaconda and was surprised to see the sentence stem read, "Last year for dinner, the anaconda swallowed ..." Last year! The anaconda ate a capybara swimming in the river, which ate leaves from a kapok tree. Once you get to the producers, the cycles takes you to decomposers and you start again. My second trip through the text took me from jaguar to green iguana to rhinoceros beetle (accompanied by the word crunchy!) to fungus growing on a tree trunk. That particular decomposer allowed me to choose from a host of carcasses, including the jaguar, giant armadillo, giant anteater, harpy eagle, anaconda, army ants, bromeliad flower, and nuts from a cacao tree.

I had a great deal of fun reading through these books and learned a lot in the process. Readers will learn about much more than food chains as they work their way through these texts. The two books in this series that I reviewed were thoughtfully planned and dense with information. Students in the upper elementary grades are sure to be intrigued and excited about this interactive format. Highly recommended.

Source of Books: Review copies received from publisher.

Book Review - Life Cycle Series

For young readers there are some exciting new series books that explore animal life cycles. Both are small in dimension (7" x 6") and fit nicely into little hands.

From Lerner Publishing comes the series First Step Nonfiction - Animal Life Cycles. Books in this series introduce readers to deer, dragonflies, grasshoppers, robins, salamanders, and worms. Written with emerging readers in mind, the books use short, simple sentences and glossy, full-color photographs. At 24 pages they're just the right length to hold interest and provide information.

The text contains a number of highlighted words that appear in the book's glossary. Here's an example.
A robin is a bird, like a duck or an owl.
In the glossary readers will find a picture of a bird (the robin) with this definition.
bird - an animal that lays eggs and has wings and feathers
The final pages of the book contain an illustrated diagrams of a robin highlighting major body parts. Also included are robin facts and and index.


From Capstone Press comes the series Watch It Grow. Books in this series introduce readers to goldfish, mealworms, milkweed bugs, painted lady butterflies, pillbugs, silkworms, and snails. Also designed with emerging readers in mind, the books combine simple, easy to read sentences with color photographs, many of them labeled to highlight features described in the text. The books in this series contain an important note for parents and teachers. Here's the one from the Snails book.
The Watch it Grow set supports national science standards related to life science. This book describes and illustrated apple snails. The images support early readers in understanding the text. The repetition of words and phrases helps early readers learn new words. This book also introduces early readers to subject-specific vocabulary words, where are defined in the Glossary section. Early readers may need assistance to read some words and to use the Table of Contents, Glossary, Read More, Internet Sites, and Index sections of the book.
There is a lot of information packed into the 24 pages of the books in this series. Unlike the Lerner series which contains a photo on and text on every page, these books contain a full-page photograph on the left side of every spread with accompanying text on the right. Here is how the snail book begins.
What Are Snails?
Snails are invertebrates.
They have a soft body
and a hard shell.
Apple snails live in water.
They change as they grow.
The phases of the life cycle are divided into sections in the book, so readers move from the introduction to snails to From Egg to Hatchling and then to From Hatchling to Adult.

The Goldfish book is just as interesting, though divided differently because of the stages in the life cycle of a goldfish. This one contains the sections Metamorphosis, From Egg to Larva, From Larva to Fry, and From Fry to Adult. The pictures of the goldfish larvae are fascinating, and made me wonder how the photographer managed to capture the tiny creatures. The photo on page 12 is a bit blurry, but otherwise the images all standout and do a fine job of supporting the text.

Both of these series would be fine additions to nonfiction collections and are excellent resources for young readers.

Source of Books: Review copies received from publisher.

Book Review - Follow That Map!

Follow That Map!: A First Look at Mapping Skills, written and illustrated by Scot Ritchie, provides readers with an introduction to map skills while whisking them off on an adventure to find some missing pets.

The Table of Contents identifies the 14 double-page spreads that take kids through this problem-solving adventure. The book opens with a Getting Started spread. It begins this way.

Do you know how to find a hidden treasure? Do you know how far your house is from the candy store? Do you know the way to your favorite ride at the amusement park? It's easy! Join the friends below and follow that map!
This text is accompanied by a simple definition and a drawing of a map that contains a number of features that are highlighted and defined, including a compass rose, landmark, symbol, legend, routes, and a scale bar.

The next double-page spread presents the problem that begins the map-reading adventure.
Sally and her friends are playing in her backyard. Pedro notices that Sally's dog, Max, and her cat, Ollie, are missing.

Where have Max and Ollie gone? The five friends decide to find out!
Each stop along the way presents a map, a question, and some helpful information. Here is an example from the spread "In the City."
No luck on the trail. Yulee suggest going to the city zoo. Maybe Max and Ollie are visiting the animals.

Martin is getting close to the zoo. Which direction is he running?

The compass rose on a map shows you directs such as north, south, east and west.
I'm not sure what the motivation for answering the questions will be, but as a part of lesson on mapping these will be helpful tools for teachers.

Readers are introduced to 10 sights and a variety of maps along the way, including a weather map, treasure map, physical map, world map, and more. The maps are colorful, interesting, well captioned, and will be interesting for kids to explore. I did have one area of concern and that is in regards to the physical map. On the page it is called a topographical map and accompanied by this definition.
A topographical map shows the natural features of a landscape. You can use this kind of map to find rolling hills, low-lying lakes or high mountains.
The map that accompanies this text is the one on the cover of the book. My problem is not with the definition, but with the map itself and the title of the map. True topographic maps use contour lines to show the shape and elevation of the earth's surface. This map does not have these lines. That's why I referred to this map as a physical map. To avoid confusion later a teacher would likely need to explain this distinction and perhaps show examples of both topographic and physical maps of an area.

The book wraps up with the kids returning home to find the missing pets asleep under a tree. The final spread leads readers through the process of creating their own maps. Teachers will find the learning resource material (pdf) for this book to a source of useful ideas and classroom activities.

I generally liked this book, though I thought the inclusion of the map of the planets to be a bit over the top, though young readers will find it fun to look at and think about. the introductory pages alone make this one worthwhile for the clear and concise way maps are presented.

Book: Follow That Map!: A First Book of Mapping Skills
Author/Illustrator: Scot Ritchie
Publisher: Kids Can Press
Publication Date: 2009
Pages: 32 pages
Grades: K-3
Source of Book: Review copy received from Raab Associates.

Book Review - Who Lives Here? Savanna Animals

The Who Lives Here? series, written by Deborah Hodge and illustrated by Pat Stephens, examines animals in their natural environments and explains how those animals are uniquely adapted to their habitats. The books are organized by habitat and include titles on Desert Animals, Forest Animals, Polar Animals, Rain Forest Animals, Savanna Animals and Wetland Animals.

Who Lives Here? Savanna Animals opens with a Table of Contents that begins with a page that defines that habitat (What is a Savanna?) and ends with a page containing animals words (pictorial index) and information for parents and teachers. In between are 9 double-page spreads, each introducing a different animal.

The opening page that asks the question "What is a __?" provides a good basic introduction to the habitat. Here is how the What is a Savanna? page begins.
A savanna is a huge area of grassy land, dotted by trees and bushes. Savannas are found in hot parts of the world. Most have a long dry season and a shorter rainy season.

The savanna is home to many exciting animals. Their bodies and habits are suited for living on the warm grassy plain.
The facing page briefly describes the savanna after it rains, a bit about what happens when the rainy season ends, the importance of grass to the animals that live here.

Once the background information has been covered, this book all about the animals. Readers will find information on these savanna inhabitants.
  • Elephant
  • Wildebeest
  • Giraffe
  • Meerkat
  • Zebra
  • Black Mamba
  • Lion
  • Ostrich
  • Rhinoceros
Each set of animal pages includes a description of the animal and a sidebar with facts about the animal and its adaptations, as well as an illustration that covers a full one and a third of the double-page spread. Here is an example.
Giraffes
(Main Spread, p.10)
The giraffe is the tallest animal in the world. Some big males are as tall as two-story buildings.

Giraffes stay near acacia trees that grow on the savanna. A calf drinks its mother's milk, but soon it will eat acacia leaves, too. Delicious!

(Sidebar, p.11)
A giraffe nibbles high in the treetops. It picks leaves with a tongue that is as long as your arm.

Male giraffes wrestle with their powerful necks to see who is the strongest.

Long, strong legs help the giraffe run fast. Hooves, as big as dinner plates, give a fierce kick.
Here's a sample spread of these animal pages.
Each of these animal entries is packed with information. The text is easy to read and the illustrations in the sidebar support the text by providing close-up views of the adaptations described. The animal words section on the last page of each book provides a search-and-find opportunity for readers. Six close-up views of a body part are accompanied by a name, page number, and the question "Can you find pictures of these body parts in the book?" The idea here is for students to revisit the pages and think about how the body part helps the animal adapt to its environment.

This is a strong entry in the series that will be a useful resources for students studying how a variety of animals adapt to their environments. The accessibility of the language and detailed illustrations make them helpful texts for young readers. The fact that this book contains elephants, giraffes, and other "exotic" animals makes this one particularly appealing. Recommended.

Book: Who Lives Here? Savanna Animals
Author: Deborah Hodge
Illustrator: Pat Stephens
Publisher: Kids Can Press
Publication Date: 2009
Pages: 24 pages
Grades: K-3
Source of Book: Review copy received from Raab Associates.