Monday, April 21, 2008

Monday Poetry Stretch - Colorful Poetry

In reviewing poetry books over the last week I read through a number of books focused on color. One, Hailstones and Halibut Bones, was first published in 1961. It was updated in 1989 with gorgeous new illustrations. This was the first poetry book I remember reading over and over. I loved it so much that I chose one of the poems to read aloud in the third grade when we invited our parents to come hear us perform. That poem, What Is Gray?, begins this way.
Gray is the color of an elephant
And a mouse
And a falling-apart house.
It's fog and smog,
Fine print and lint,
It's a hush and
The bubbling of oatmeal mush.
Tiredness and oysters
Both are gray,
Smoke swirls
And grandmother curls.
All the poems in this volume are titled What is __? (Fill in the blank with a color.)

I thought it might be fun to write color poems in this spirit this week. Pick a color and title your poem What is __? It's spring, so are you thinking green? It's raining here, so I could easily pick gray, but the azaleas are in full bloom, so I could also pick pink, red or white.

Will you join me in writing a color poem? Leave me a comment about your poem and I'll post them all here later this week.

Sunday, April 20, 2008

Poetry in the Classroom - Books and Reading

The first poem I ever read about a book was in middle school, when I read this piece by Emily Dickinson.
There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.

This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!
Today you can fnd a number of poetry books about books and reading.

Please Bury Me in the Library, written by J. Patrick Lewis and illustrated by Kyle M. Stone, is a collection of 15 poems (16 if you count the Acknowledgements) on books and reading. The poems are full of word play and range from serious to whimsical. The poems also come in a variety of forms. The first poem, What If Books Had Different Names?, is one of my favorites. It begins with these lines.
What if books had different names
Like Alice in . . . Underland?
Furious George,
Goodnight Noon,
Babar the Beaver, and
A Visit from Saint Tickle Us,
Wouldn't it be fun for students to re-imagine some of their favorite books in this way?

Good Books, Good Times, written by Lee Bennett Hopkins and illustrated by Harvey Stevenson, contains poems by Karla Kuskin, X.J. Kennedy, Myra Cohn Livingston, Jack Prelutsky and more. The title of the book comes from a poem by Lee Bennett Hopkins. It begins this way.
Good Books, Good Times!
Good books.
Good times.
Good stories.
Good rhymes.
Good beginnings.
Good ends.
Good people.
Good friends.
Another poem from the book that speaks to the adventures to be found in reading is by David McCord. Here is an excerpt.

Books Fall Open
Books fall open,
you fall in,
delighted where
you've never been;
hear voices not once
heard before,
reach world on world
through door on door;
find unexpected
keys to things
locked up beyond
imaginings.
If you'd like to know more about this book, you can view an excerpt.

Wonderful Words: Poems About Reading, Writing, Speaking, and Listening, written by Lee Bennett Hopkins and illustrated by Karen Barbour, contains 15 poems that celebrate the joy of words and language. Poets in this collection include Karla Kuskin, Emily Dickinson, Rebecca Kai Dotlich, Eve Merriam, Nikki Grimes, and others. Here are a few short excerpts.
Words Free as Confetti
by Pat Mora
Come, words, come in your every color
I'll toss you in storm or breeze
I'll say, say, say you,
taste you sweet as plump plums,
bitter as old lemons.
I'll sniff you, words, warm
as almonds or tart as apple-red,
feel you green
and soft as new grass,

Metaphor
by Eve Merriam
Morning is
A new sheet of paper
For you to write on.

Whatever you want to say,
All day,
Until night
Folds it up
And files it away.

Here are some additional resources that may help you think a bit more about this topic.

Saturday, April 19, 2008

Nearest Book Meme

Laura Purdie Salas tagged me for the Nearest Book meme. Here are the rules.
  1. Pick up the nearest book.
  2. Open to page 123.
  3. Find the fifth sentence.
  4. Post the next three sentences.
Beyond the stack of children's literature I have at hand (none of which have more than 40 or so pages), I am reading two nonfiction books, so I'm going to use both of them.

Book 1 - Birth of the Chess Queen: A History by Marilyn Yalom
Soon after the chess queen brought a feminine presence to the game, chess came to be regarded as a field for romantic, as well as military, conquests. In considering this strange conjunction of opposites, we must look beyond the narrow confines of the board to those social and artistic movements that made it possible for chess to assume a romantic dimension. At the turn of the twelfth century, a fledgling cult of love was the decisive cultural phenomenon.

Book 2 - Jane Austen: A Life by Carol Shields
There were always a few servants in the several households Jane Austen occupied, but never so many that the family escaped a share of domestic duties. She was probably ambivalent about such tasks, taking at least minor pleasure in what she was obliged to do. Routine was essential to her creativity; the grounding in domestic reality was useful to her fiction and allowed her a wider range of understanding.

Okay, that's my bit. I'm not going to tag anyone specifically, so if you're reading this and haven't participated yet, consider yourself tagged!

Poetry in the Classroom - Animals Abound

In highlighting poetry books this month, many of them have had animals as the subject. There are many, many books of animals poetry available. I would like to highlight one anthology and two books that I particularly enjoy.
Eric Carle's Animals, Animals is a collection of 62 poems about more than 70 different kinds of animals, from ant to yak. These poems come from authors and poets as varied as Emily Dickinson, Edward Lear, Eve Merriam, Rudyard Kipling, Benjamin Franklin, Lewis Carroll, Karla Kuskin, Judith Viorst, and many, many others. The poems are accompanied by brightly colored, exuberant illustrations by Eric Carle. This is an excellent source of poems on a variety of animals, in a range of poetic forms. One of my favorites is this gem by Rudyard Kipling.
Commissariat Camels
We haven't a camelty tune of our own
To help us trollop along.
But every neck is a hairy trombone,
Rtt-ta-ta-ta! is a hairy trombone.
And this is our marching song:
Can't! Don't! Shan't! Won't!
Pass it along the line!
Here is another poem, this one by Mary Ann Hoberman. The double-page spread that accompanies it is so lovely that you can almost feel the texture of the rhino's skin.
Rhinocerous
I often wonder whether
The rhinocerous's leather
Is as bumpy on the inside
As it is upon the skinside.
The book concludes with an index of animals arranged alphabetically, as well as an index of first lines.

Animal Poems, written by Valerie Worth and illustrated by Steve Jenkins, is a posthumously published collection of 23 poems that highlight Worth's keen sense of observation. Animals range from small to large and simple to complex. You will find poems about jellyfish, cockroaches, kangaroos, elephants, minnows, and more. They are all accompanied by Jenkins' amazingly beautiful cut- and torn-paper collages. Here is a snippet of one poem.
Camels
They can afford to be ugly
And ungainly, to stand
About munching and belching
Like smug old maids

Remembering their ancient
Sway, when bearded
Traders sailed them over
The starry sand-waves,
While these first two books cover a range of animals, the third book contains poems that are topically connected. Just Us Two: Poems About Animal Dads, written by Joyce Sidman and illustrated by Susan Swan, looks specifically at animals where dads take responsibility for guarding eggs and raising young. Here is an excerpt from the poem about the Peregrine falcon.
Flying Lesson
This time, Father says,
he will not bring me my dinner.
This time
he will let it fall,
and I must try to catch it.

Flying, Father says,
is like seeing the air.
Not just the blue shimmer,
not just the bright clouds,
but the air itself
as it swells and swirls
around our rocky cliff.
Other animals include the Emperor penguin, giant water bug, Nile crocodile, Arctic wolf, ostrich and more. The book concludes with photographs of the animals and a short section of information on each.

Here are some additional resources you may find useful.

Friday, April 18, 2008

Poetry in the Classroom - School Daze

My friends in K-12 schools are gearing up for the last 10 weeks of the school year and tests galore, while things here are winding down. As I prepare to wrap up the spring semester and plan for summer school, I'm thinking a lot about the academic year. This cycle of school days puts me in mind of some wonderful books of poetry about school.

I Thought I'd Take My Rat to School: Poems for September to June, selected by Dorothy Kennedy and Illustrated by Abby Carter, contains 57 poems that describe the range of experiences children have in school, from classroom pets, to school supplies, recess, mean kids, and more. Poems in this volume are written by Gary Soto, Bobbi Katz, Judith Viorst, Karla Kuskin, Eve Merriam, and many others. There are at least three different poems on the topic of homework. Here is an excerpt from each one.
Homework
by Russell Hoban

Homework sits on top of Sunday, squashing Sunday flat.
Homework has the smell of Monday, homework's very fat.
Heave books and piles of paper, answers I don't know.
Sunday evening's almost finished, now I'm going to go

Homework! Oh, Homework!
by Jack Prelutsky

Homework! Oh, Homework!
I hate you! You stink!
I wish I could wash you
away in the sink,
if only a bomb
would explode you to bits.
Homework! Oh, Homework!
You're giving me fits.

Homework
by Jane Yolen

What is it about homework
That makes me want to write
My Great Aunt Myrt to thank her for
The sweater that's too tight?
This is an entertaining collection of poems with many gems that are sure to please students.

School Supplies: A Book of Poems, selected by Lee Bennett Hopkins and illustrated by Renée Flower, contains 16 poems about the school paraphernalia we simply can't do without. If you have kids who get excited about pencils, paperclips, crayons, and other such schoolroom tools, then this book will grab them with its artwork and its poetry. For the aspiring writer in your class, there are poems about new notebooks, writer's notebooks, and lots of writing utensils. For the kids who lean towards illustrated writing, there are poems on crayons and Popsicle sticks and glue. There is a homework poem in this one too. Here is an excerpt.
Homework
by Barbara Juster Esbensen

It rustles it
shifts with no wind
in the room to
move it
Listen!
the blank white
paper
needs your attention.
While these first two books are out of print, this last one is brand-spanking new. Do Buses Eat Kids?: Poems About School, by Laura Purdie Salas, is a collection of 15 school-themed poems. Each one is accompanied by a gorgeous photograph. Topics include school buses and bus rides, pencils, lockers, sports and more. Any yes, there is a homework poem! Here's an excerpt. See if you can imagine what the photo it's paired with looks like.
Oh, Did You Need that Homework?

I've crunched your numbers
torn them up
'cause I'm a homework-
chomping pup

Thanks for leaving
out your pack
Your problems made a
tasty snack
This one not only includes poems, but also an informational section on the language of poetry that includes definitions of poetic forms and devices. These descriptions are connected to examples in the book. After this you will find a glossary of words from the poems that early readers may not know, and a list of related books and Internet sites.

Here are a few other school-themed poetry books that I enjoy.
Finally, here are some additional resources for thinking about school-themed poetry.

Measurement Podcast #2

A new measurement book podcast is up over at Open Wide, Look Inside.

Today's podcast highlights Chimp Math: Learning About Time From a Baby Chimpanzee, by Ann Whitehead Nagda and Cindy Bickel.

Poetry Seven Interview

I think I'm still coming down from the high that came last week with the publishing of the crown sonnet and my bit in it.

The fine ladies at Seven Imp keep the magic going for just a bit longer with their interview of the Poetry Seven. If you want to know more about our process, do head on over and check it out.

Thanks, Seven Imp, for this amazing feature!

Poetry Friday - The Debt

Like everyone else these days, we are watching the economy and wondering how much more we can save, how much worse it will get, and when things will turn around. Penny pinching is tough when you have "champagne taste on a beer budget." As I stew about things financial, I am reminded of this poem by Paul Laurence Dunbar.
The Debt
This is the debt I pay
Just for one riotous day,
Years of regret and grief,
Sorrow without relief.

Pay it I will to the end—
Until the grave, my friend,
Gives me a true release—
Gives me the clasp of peace.

Slight was the thing I bought,
Small was the debt I thought,
Poor was the loan at best—
God! but the interest!
The round up this week is being hosted by The Well-Read Child. Do head over there to read all the great poetry being shared this week. Before you go, don't forget to check out this week's poetry stretch results. Happy poetry Friday, all!

Thursday, April 17, 2008

Poetry Stretch Results - Kyrielle

The challenge issued this week was to write in the form of a kyrielle. A few brave writers accepted it. Here's what they came up with.
Daisybug at Things that make me say... shares a poem entitled The More You Relax, The More You Feel.

cloudscome at a wrung sponge gives us a poem entitled First the Flower, Then the Leaf.

sister AE at Having Writ shares a Passover Kyrielle.

Pam Olson at Amputated Moon gives us the poem A Waiting Place. Welcome, Pam!
This was a difficult assignment for me. Having just spent a great deal of time thinking in iambic pentameter, I found limiting myself to eight syllables to be very tough indeed! I did somehow manage to muddle through. Here's my offering.
Waking the Sun
We listen in the darkness still,
for rustling leaves and pecking bill,
to nudge, to prod, yet then implore,
the Sun to wake, to smile once more.

In sleepy barnyards stretching legs,
one handsome rooster crows and begs
a sleepy farmer rise for chores,
and Sun to wake, to smile once more.

Nocturnal prowlers head to bed,
all knowing what soon lies ahead,
when nighttime's blanket hits the floor,
the Sun will wake and smile once more.

Will steaming coffee stir her smile
and make her rise to stay a while?
Or shall we open morning's door
to make Sun wake and smile once more?

This story old replays each day,
no matter what our disarray.
Just as the tide will rush to shore,
the Sun will wake and smile once more.
It's not too late if you still want to play. Leave me a note about your poem and I'll add it to the list.

A Ring/Drum/Blanket Poem

Last week when the fabulous Elaine at Wild Rose Reader interviewed the amazingly talented Janet Wong, the focus of the conversation was Janet's experience as a student in a master class on poetry taught by the late Myra Cohn Livingston. At the end of the interview, Elaine and Janet invited readers to try writing a poem using the words ring, drum, and blanket. So far, only one person has participated. Hurray Kelly!

I had been trying to use these words in my kyrielle, but couldn't make them work. Instead, I came up with this. Here is my Ring/Drum/Blanket poem.
Gunfire
rings out,
day
after day.

Long settled in,
War's heavy blanket
smothers
the drumbeat of
freedom.

Measurement Podcasts

The semester is winding down and my students are wrapping up several projects. They have submitted their last round of podcasts, this final set highlighting a range of books on measurement topics as varied as time, money and size. Over at Open Wide, Look Inside I will be posting one podcast every day for the next week. Please stop by, have a listen, and leave a comment for them. I know they will appreciate the feedback.
Today's podcast highlights Mitsumasa Anno's book, All in a Day.

In My Pocket Today

What are YOU carrying today? (Have you forgotten it's Poem in Your Pocket Day?) Here's what I have tucked away. It is a little gem written by Emily Dickinson.
Poem 318
I'll tell you how the Sun rose—
A Ribbon at a time—
The Steeples swam in Amethyst—
The news, like Squirrels, ran—
The Hills untied their Bonnets—
The Bobolinks—begun—
Then I said softly to myself—
"That must have been the Sun"!
But how he set—I know not—
There seemed a purple stile
That little Yellow boys and girls
Were climbing all the while—
Till when they reached the other side,
A Dominie in Gray—
Put gently up the evening Bars—
And led the flock away—
In case some of these words have you scratching your head, here are a few definitions from the Oxford English Dictionary.
  • Bobolink - A North American singing-bird (Dolichonyx oryzivorus), which appears in the northern states in spring, and returns southwards at the end of summer. Called also Reed-bird and Rice-bird.
  • Stile - An arrangement of steps, rungs, or the like, contrived to allow passage over or through a fence to one person at a time, while forming a barrier to the passage of sheep or cattle.
  • Dominie - A schoolmaster, pedagogue.
Why don't you join the fun? Put a poem in your pocket and share it today!

Poetry in the Classroom - Mud, Stone and Fossil Bones

When I was growing up I had a rock collection. Not your everyday "rocks from the side of the road" collection, but an honest-to-goodness collection of rocks and minerals purchased at rock shows, scavenged from the rock pile at Ward's Scientific, or presented by family and friends from faraway places. The eruption of Mount St. Helens during my freshman year of high school cemented my fascination for all things geological.

Earth science has always been one of my favorite subjects to teach, and one in which there was a terrific dearth of poetry until the publication of Earthshake: Poems From the Ground Up, written by Lisa Westberg Peters and illustrated by Cathie Felstead.
Earthshake is a collection of twenty-two poems that introduces geologic concepts through metaphors and word play in a variety of poetic forms. The poems are accompanied by vibrant illustrations that combine brightly colored hues and collage. What I love most about the pieces in this book is the inventiveness with which sometimes difficult concepts are presented. Here are short excerpts from a few of my favorites.
Instructions for the Earth's Dishwasher
Please set the
continental plates
gently on the
continental shelves.
No jostling or scraping.

Please stack the
basin right side up.
No tilting or turning
upside-down.


Obituary for a Clam
Clam. Marine.
Age, 10 years.

Died 300 million years ago
in underwater landslide.
Native of the Tethys Sea.
Loving mother of 198 clams.


Recipe for Granite
Melt a chunk of continent.

Heat at a million degrees,
long enough for the world
to spin a trillion times,
long enough for the Milky Way
to make it partway to infinity.
In addition to these gems you will find poems about sedimentary rock, continental drift, minerals, meteors, geysers and more. Three pages of endnotes provide additional information about the concepts in each poem. You can download a Minnesota Storytime guide for the book to further enhance instruction.

While I haven't found many other poetry books that focus solely on earth science concepts, there are a few books of nature poetry that include some poems related to these topics. One of my favorites is Footprints on the Roof: Poems About the Earth, written by Marilyn Singer and illustrated by Meilo So. Even though some of the poems in this volume are about the natural world, the vast majority deal with things like natural disasters, volcanoes, caves, fossils and other such topics. Here is a short excerpt from the poem entitled Islands.
Dad likes to talk
about islands--
how they sink
how they rise
How some are bred
by volcanoes
and others built from coral bones
In addition to these poetry books, here are a few other resources that you may find helpful for the study of earth science topics.

Wednesday, April 16, 2008

Poetry in the Classroom - Poetry Aloud

I love reading poetry, but I like it even better when it's read aloud. I like the sound of the rhyme, the feel of the meter, and the way words swim around inside my head before escaping from my lips. Poetry was spoken aloud long before it was written down. Since poetry comes to us today on the page, we often forget that. Here are some books that have been written expressly to be read aloud by more than one speaker.

Joyful Noise: Poems for Two Voices, written by Paul Fleischman and illustrated by Eric Beddows, was the recipient of the 1989 Newbery Medal. It could easily have appeared on my post about arthropod poetry, Rulers of Earth, but I was saving it for this entry! The book begins in this way.
The following poems were written to be read aloud by two readers at once, one taking the left-hand part, the other taking the right-hand part. The poems should be read from top to bottom, the two parts meshing in a musical duet. When both readers have lines at the same horizontal level, those lines are to be spoken simultaneously.
From here, readers/speakers must jump right in. As a former member of a crew team, the poem Water Boatmen particularly appeals to me.
All the poems in this book celebrate the lives of insects, from grasshoppers and honeybees to moths and fireflies. The poems are indeed joyous to recite. I read a few aloud with my middle school students by posting the poems on the overhead (ah, the joys of the pre-technology days) and reading in chorus with them. It was great fun and provided much for us to discuss in a scientific context.

Big Talk: Poems for Four Voices, written by Paul Fleischman and illustrated by Beppe Giacobbe, takes the ideas presented in Joyful Noise and ramps up the volume (and chaos) to four voices. There is no particular theme to these poems, but they are fun and will appeal to a wide range of readers/speakers. In describing the book Fleischman said, "Families used to play games together and make music together. We did both all through my childhood. I wanted to give families something they could perform together—not in Carnegie Hall, but around the table." You can download an article about the book and learn more about how the poems were inspired. Instead of voices reading columns of information, readers this time find their parts on colored bars, reminiscent of reading music. Don't fret if you don't have this skill, as clear instructions for reading are included.

Math Talk: Mathematical Ideas in Poems for Two Voice by Theoni Pappas is a quirky little book that encourages readers/speakers to think about math in a different way. The book begins this way.
Mathematics may not seem to inspire poetry, since it is usually linked with the very logical.

Learning takes place via all our senses and by all forms of communication. Mathematical ideas can be learned through art, reading, conversations, lectures. Therefore, why not link mathematical ideas and poetic dialogues?
The book was published in 1991, so I'm guessing it was inspired by the success of Joyful Noise. The poems are not nearly as elegant, but I have enjoyed using them in math class. Here is an excerpt of the poem Infinity.
These books provide but one way to enjoy spoken poetry. For those of you interested in including more poetry exercises in listening and speaking, check out some of these resources.

Tell Me Something I Don't Know

Yes, I KNOW everyone's doing it, that's why I had to play along. Now, if only these quizzes would tell me something I don't know. Really, is there anything about me that doesn't scream type A?!
You Are a Colon

You are very orderly and fact driven.

You aren't concerned much with theories or dreams... only what's true or untrue.

You are brilliant and incredibly learned. Anything you know is well researched.

You like to make lists and sort through things step by step. You aren't subject to whim or emotions.

Your friends see you as a constant source of knowledge and advice.

(But they are a little sick of you being right all of the time!)

You excel in: Leadership positions

You get along best with: The Semi-Colon

Tuesday, April 15, 2008

Poetry in the Classroom - Through the Year

We just finished discussing the teaching of measurement in my Foundations of Math Instruction class. One of the topics we cover is the teaching of time. This includes not only the mechanics of telling time, but also discussions of the calendar. Last year I wrote post entitled Month by Month, in which I highlighted books for teaching about days, weeks and months of the year. Some of the books on this list were books of poetry.

A Child's Calendar, written by John Updike and illustrated by Trina Schart Hyman, is a Caldecott Honor book in which the poems and pictures are full of life. The illustrations are reflective of the seasonal changes seen in New England, and like the poems, they highlight the weather as well as the activities of childhood throughout the year. Children are the focus of the pages here. Each double-page spread presents a poem and small illustration on one page, with a full page illustration on the facing page. One of my favorite poems is for the month of June. The full page illustration shows two boys tiptoeing through a pond with net and bucket in hand. You can see the frogs hiding in the grass. The illustration on the poem page shows children riding their bikes down a road that is shaded by overhanging trees. Here is the poem.
June

The sun is rich
  And gladly pays
In golden hours,
  Silver days,

And long green weeks
  The never end.
School's out. The time
  Is ours to spend.

There's Little League,
  Hopscotch, the creek,
And, after supper
  Hide-and-seek.

The live-long light
  Is like a dream,
And freckles come
  Like flies to cream.
Turtle in July, written by Marilyn Singer and illustrated by Jerry Pinkney, is divided into four seasonal sections, each highlighting the bullhead (catfish). What follows are three poems, each on a different animal. The subjects of the poems range from domestic animals, likes cats and dogs), to the beaver, bear, deer, dragonfly, barn owl, and more. Here is the poem the lends itself to the book's title.
Heavy
Heavy hot
Heavy hot hangs
Thick
Sticky
Icky
But I lie
Nose high
Cool pool
No fool
A turtle in July
Thirteen Moons on Turtle's Back: A Native American Year of Moons, written by Joseph Bruchac and Jonathan London and illustrated by Thomas Locker, is a collection of poems corresponding to the thirteen moons recognized by some Native American people. It begins with an Abenaki man teaching his grandson that "There are always thirteen (scales) on Old Turtle's back and there are always thirteen moons in each year." Each moon has its own name and its own story. In the authors' note at the end of the book, readers learn that not all Native American people talk about twelve or thirteen moons, largely because they observe the seasonal changes where they live, so places like the far north and desert southwest have very different seasons. They also make it clear that even among Native American nations that speak of moons, they may not all use the same name for that moon. Each of the thirteen moons contains a reference to the Native American nation from which the name and story comes. Here is an excerpt of one of the moon poems.

Moose-Calling Moon
(Ninth Moon - Micmac)

In this season when leaves
begin to turn color,
we go down to the lakes
and with birch-bark horns
make that sound which echoes
through the spruce trees,
the call of a moose
looking for a mate:
Mooo-ahhh-ahhh
Mooo-ahhh-ahhh
.

This book has been an important one to include when teaching about the calendar, as I want students to understand that there are many ways to view and count the passage of time.

While the selections here focus on collections of poems about the months of the year, I want to also add one book that is a single poem to this list.

Calendar, written by Myra Cohn Livingston and illustrated by Will Hillenbrand, is a book based on a poem first in 1959 in a volume entitled Wide Awake and Other Poems. The mixed-media illustrations are vibrant and gorgeous. Each month gets a two-page spread (except December, which gets seven pages so that Santa can slide down the chimney at the end) that highlights and extends the sparse yet luminous lines of poetry. A pigtailed girl is depicted engaged in each monthly activity, such as enjoying a nighttime picnic on the 4th of July, to holding hands with a parent while waiting for the school bus in September.

Here is the beginning of the poem.
January shivers,
February shines,
March blows off
the winter ice,
April makes the
mornings nice,
May is hopscotch lines.
For those of you looking for additional resources for studying the calendar in your classroom, try these sites.
  • Scholastic has some ideas for calendar math activities.
  • At Mrs. Meacham's Classroom Snapshots you can get a range of ideas for a calendar wall, calendar binders and much more.
  • The Center for Innovation in Education has a chapter on opening activities (calendar focus) that you can download.
  • NASA has a calendar lesson that focuses on solar and lunar calendars as well as the day and the month and their relations to the rotation period of the Earth and the orbital period of the Moon.
  • Ask Dr. Math has an FAQ on the calendar and days of the week.
  • Education World has a lesson plan that looks at a variety of calendars, including Gregorian, Jewish, Chinese and more.
  • If you are interested in history, you can learn about calendars through the ages.
  • The Calendar Zone site shares links to a variety of calendars, including cultural, celestial, geographic and more.

Monday, April 14, 2008

Poetry in the Classroom - Reaching for the Moon

I've always been a stargazer and long enamored of the heavens. When I was growing up, the gentleman who lived across the street had a telescope that I would often gaze through. I was allowed to sit outside late into the evening (never on a school night!) and watch the skies.

I loved exploring the solar system with kids when I was teaching, though I know many teachers who don't feel this way. They think the topic is too abstract and difficult to make "concrete." Not so! Not only does NASA provide a wealth of free resources, but there are many wonderful books (Seymour Simon's work comes to mind here) for use in the classroom. There are even some terrific poetry books on the subject.

Blast Off! Poems About Space, compiled by Lee Bennett Hopkins and illustrated by Melissa Sweet, is an easy to read anthology containing 20 poems by various poets, including Jane Yolen, Bobbi Katz, J. Patrick Lewis, Ashley Bryan, Lee Bennett Hopkins and others. Since this book is in an easy-reader format, the poems are accessible for young children. Here is an excerpt.
The Moon
by Lillian M. Fisher

The moon has no light
of its own.
It's cold and dark
and dead as stone,
But it catches light
from the burning sun
And shows itself
When each day is done.

Comets, Stars, the Moon, and Mars, written and illustrated by Douglas Florian, is a witty, stylish look at the solar system. With illustrations painted in gouache on brown paper bags, readers are treated to a visual feast that includes die-cut, circular peepholes that allow glimpses of heavenly bodies from adjacent pages. The poems are typical Florian, containing made up words, like super-dupiter and Jupiterrific, clever rhymes, and fanciful imagery. Here is an excerpt.
the moon

A NEW moon isn't really new,
It's merely somewhat dark to view.

A CRESCENT moon may seem to smile,
Gladly back after a while.

A HALF moon is half-dark, half light.
At sunset look due south to sight.

A FULL moon is a sight to see,
Circular in geometry.

After full, the moon will wane
Night by night, then start again.
The book ends with a galactic glossary that provides a bit of information on each body or topic covered, and also includes a selected bibliography for further reading.

Space Songs, written by Myra Cohn Livingston and illustrated by Leonard Everett Fisher, contains 13 poems that not only discuss the science of the heavens, but also express their vastness and just how astonishing they are. On black pages accompanied by paintings of the poem's topic, the solar system comes to life in word and image. Here is an excerpt.
Moon
              Moon remembers.

            Marooned in shadowed night,

          while powder plastered
        on her pockmarked face,
      scarred with craters,
    filled with waterless seas,

  she thinks back
to the Eagle,
  to the flight
    of men from Earth,
      of rocks sent back in space,
        and one
          faint
            footprint
              in the Sea of Tranquility.
Together these three books provide a range of language-rich poems for use in teaching about the solar system. Imagine the fun you could have simply discussing the three poems shared here. All three poets wrote about the same body, yet came up with such different results. What might your young poets write? Try brainstorming some ideas for what they might like to write about the moon and compose a class poem. Then let them take these ideas even farther to write some of their own moon poetry.

For those of you looking for some additional materials for the study of space, check out these resources.

Monday Poetry Stretch - Kyrielle

While reading some poetry in the last few weeks I came across a form I have not written in before. I tucked it away for a stretch, and now its time has come. A kyrielle is a French from that was originally used by Troubadours. In the original French kyrielle, lines had eight syllables. Written in English, the lines are usually iambic tetrameters. The distinctive feature of a kyrielle is the refrain in which the final line of every stanza is the same. The name of the form comes from the word kyrie, a form of prayer in which the phrase "Lord have mercy" (kyrie eleison) is repeated.

A kyrielle can be any length as long as it is written 4 line stanzas of iambic tetrameters. A kyrielle also has a rhyme scheme. Two popular forms are aabB/ccbB/ddbB etc. or abaB/cbcB/dbdB etc., where B is the repeated refrain.

Here is an example of the form.
Kyrielle
by John Payne

A lark in the mesh of the tangled vine,
A bee that drowns in the flower-cup's wine,
A fly in sunshine,--such is the man.
All things must end, as all began.

A little pain, a little pleasure,
A little heaping up of treasure;
Then no more gazing upon the sun.
All things must end that have begun.

Where is the time for hope or doubt?
A puff of the wind, and life is out;
A turn of the wheel, and rest is won.
All things must end that have begun.

Golden morning and purple night,
Life that fails with the failing light;
Death is the only deathless one.
All things must end that have begun.

Ending waits on the brief beginning;
Is the prize worth the stress of winning?
E'en in the dawning day is done.
All things must end that have begun.

Weary waiting and weary striving,
Glad outsetting and sad arriving;
What is it worth when the goal is won?
All things must end that have begun.

Speedily fades the morning glitter;
Love grows irksome and wine grows bitter.
Two are parted from what was one.
All things must end that have begun.

Toil and pain and the evening rest;
Joy is weary and sleep is best;
Fair and softly the day is done.
All things must end that have begun.
If you want to learn more about the kyrielle you can read this Wikipedia entry. or the article Kyrielle: The Kyrie Reformed.

So, what kind of kyrielle will you write? Leave me a note about your poem and I will post them all here later this week.

Sunday, April 13, 2008

Poetry in the Classroom - A Wreath for Emmett Till

Having just finished participating in the writing of a crown sonnet, I've been thinking a lot about the discipline, skill and sheer force of will that must have been required of Marilyn Nelson to write A Wreath for Emmett Till.

This narrative poem, describing the events and emotion surrounding the lynching of Emmett Till in 1955, is written in the form of a heroic crown of sonnets. Let's step back for a minute and think about what that means. A sonnet is a 14 line poem written in iambic pentameter. A crown of sonnets is a sequence of A sequence of sonnets in which the last line of each sonnet is the first line of the following sonnet. In addition, the first line of the first sonnet also serves as the last line of the last sonnet. A heroic crown is a sequence of 15 sonnets, written in the same manner as a crown of sonnets. The difference is that in the heroic crown the last sonnet is composed entirely of the first lines of the previous 14 sonnets. One of the things that makes this heroic crown such an achievement is the the last sonnet is also an acrostic poem, in which the first letters of each line spell out the phrase “RIP Emmett L. Till.”

One of the sonnets in this crown is written from the perspective of the tree witnessing the lynching, and echoes some of the sentiments expressed in Paul Laurence Dunbar's poem The Haunted Oak.
Pierced by the screams of a shortened childhood,
my heartwood has been scarred for fifty years
by what I heard, with hundreds of green ears.
That jackal laughter. Two hundred years I stood
listening to small struggles to find food,
to the songs of creature life, which disappears
and comes again, to the music of the spheres.
Two hundred years of deaths I understood.
Then slaughter axed one quiet summer night,
shivering the deep silence of the stars.
A running boy, five men in close pursuit.
One dark, five pale faces in the moonlight.
Noise, silence, back-slaps. One match, five cigars.
Emmett Till's name still catches in the throat.
The poems in this crown are not easy to read. They are unsettling, shocking, and sad, but this is an important event in the history of our nation that needs to be told again and again. The book ends with a short biography of Emmett Till, extensive notes on the 15 sonnets, and an artist's note. The tempera illustrations by Philippe Lardy quietly reflect the themes and moods of the sonnets. Most of the books I have highlighted to date have all been for the elementary classroom. This one is most appropriates for grades 8-12. This is an amazing piece of poetry that will lend itself to interdisciplinary study in both English and social studies.

Here are some additional resources for introducing this work and the events surrounding it in the classroom.

Saturday, April 12, 2008

Poetry in the Classroom - The City Life

I read (and write) a lot of poetry about animals and nature, but I am also quite fond of poems about the city. Good poems about the city capture the sights, sounds and smells and catapult me back my days walking the streets of New York City. Life in the big city is vastly different from the rural area where I grew up, and for many students, life in the big city may be just as foreign. Two books I like to use for capturing the spirit of the city are Mural on Second Avenue and Other City Poems, written by Lilian Moore and illustrated by Roma Karas and Sky Scrape/City Scape: Poems of City Life, with poems selected by Jane Yolen and illustrated by Ken Condon.

Mural on Second Avenue is a collection of 17 poems that celebrates the city through the seasons and at different times of day. Accompanied by vibrant oil illustrations, the city, as seen through the eyes of a young boy, comes to life. Whether it's looking out the window, walking through the neighborhood, or playing in the park, the poems in this book exude the energy of the city and its inhabitants. There are poems here about building skyscrapers, going around corners, window reflections, pigeons, a mural (lending itself to the title of the book), bridges and more. One of my favorites is this poem about the skyline.
Roofscape
The lines are
straight
and
many-cornered--
plunging,
rising high.

From my window
I can see
how roofs
design a sky.
Sky Scrape/City Scape is an anthology of poems selected by Jane Yolen. The 25 poems contained inside come from notables like Langston Hughes, Myra Cohn Livingston, Jane Yolen, Carl Sandburg, Lee Bennett Hopkins and many others. The illustrations show crowded streets, fire escapes, graffiitied walls, buildings tall, a garbage dump, and much more. This collection of poems is full of life and almost as energetic as the city itself. Many of the poems on a double-page spread are connected thematically, like the series of poems on skyscrapers or those on street cleaning. Here is an excerpt from a poem by Norma Farber.
Manhattan Lullaby
Lulled by rumble, babble, beep,
let these little children sleep;
let these city girls and boys
dream a music in the noise,
hear a tune their city plucks
up from buses, up from trucks
up from engines wailing fire!
up ten stories high, and higher,
One more book I recommend including in this set is the updated classic by Gwendolyn Brooks, Bronzeville Boys and Girls. Originally published in 1956, this new version is beautifully illustrated by Faith Ringgold. Each poem in this collection of 34 contains the name of a child. This child is either the subject of the poem or the person delivering it. Set in a Chicago neighborhood, these short poems highlight the highs and lows of life in the city, particularly big cities where many are poor. Even though most of the poems are light-hearted, a few are sad. An element of social consciousness is also evident in this collection. Here are a few examples.
Robert, Who is Often a Stranger to Himself
Do you ever look in the looking-glass
And see a stranger there?
A child you know and do not know,
Wearing what you wear?

Michael Is Afraid of the Storm
Lightning is angry in the night,
Thunder spanks our house.
Rain is hating our old elm—
It punishes the boughs.
Now, I am next to nine years old,
And crying’s not for me.
But if I touch my mother’s hand,
Perhaps no one will see.
Together, these three books provide varied glimpses of life in the city and what children living there may experience.

If you want to do some poetry writing about the city but can't get there, here are some resources to inspire you.