Monday Poetry Stretch - Ekphrastic

Since it's Halloween, it seemed appropriate to suggest we write about this image.

Shapes of Fear by Maynard Dixon (1930-32)

Smithsonian American Art Museum

So, there's your challenge for the week. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - List Poem for Fall

A list poem is a carefully crafted list, catalog, or inventory of things. Robert Lee Brewer of Poetic Asides writes this in his article List Poem: A Surprisingly American Poem:

The list poem was used by the Greeks and in many books of the Bible. But two of the most popular American poems, Walt Whitman’s “Song of Myself” and Allen Ginsberg’s “Howl,” are list poems. So what is a list poem? 

Basically, a list poem (also known as a catalog poem) is a poem that lists things, whether names, places, actions, thoughts, images, etc. It’s a very flexible and fun form to work with.

What is it about list poems that makes them so accessible? Perhaps it's because the list is so ubiquitous in our lives. Everyone makes lists, so finding them in poetry is not unexpected and makes them seem familiar.

In the book Conversations With a Poet: Inviting Poetry into K-12 Classrooms (2005), written by Betsy Franco, the chapter devoted to the list poem includes this background and helpful information.

The list poem or catalog poem consists of a list or inventory of things. Poets started writing list poems thousands of years ago. They appear in lists of family lineage in the Bible and in the lists of heroes in the Trojan War in Homer's Iliad.  

Characteristics Of A List Poem

• A list poem can be a list or inventory of items, people, places, or ideas.

• It often involves repetition.

• It can include rhyme or not.

• The list poem is usually not a random list. It is well thought out.

• The last entry in the list is usually a strong, funny, or important item or event.

Your challenge for this week is to write a list poem about fall, or Halloween, or something October-y. Please share a link to your poem or the poem itself in the comments.

Poetry Friday is Here Today!

**Apologies, folks. I set the schedule as I always do for 12:01. Apparently, this time around I hit PM instead of AM. I'm here and ready to go!**

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“I’m so glad I live in a world where there are Octobers.” (Anne of Green Gables, chapter 16).

Today I'm sharing Frost.

October 
by Robert Frost

O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.

Read the poem in its entirety.

I'm hosting Poetry Friday today, so please leave your links in the comments and I'll round you up old-school style. Happy Poetry Friday all!

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Original Poetry
Matt Forrest of Radio, Rhythm, & Rhyme shares his book spine poem, Crossroads Chiropractic.

Buffy Silverman of Buffy's Blog is sharing two recently published poems.

Ruth of There is no such thing as a Godforsaken town shares an original poem entitled Why I Can't Look Out the Window.

Kiesha of Whispers from the Ridge shares an original poem entitled Twilight October.

Keri of Keri Recommends shares her original poem for the DMC entitled Silent Guidance.

Violet Nesdoly shares an original poem entitled Just an ordinary walk.

April Halprin Wayland shares an original poem entitled AGENTS ~ in three part harmony.

Brenda Harsham of Friendly Fairy Tales shares two original poems for her mothers.

Elaine Magliaro of Wild Rose Reader shares an original poem entitled TRUMP: A Verse about the Worst EVER Presidential Nominee.

Diane Mayr of Random Noodling shares a number of haiga about her mother

Bridget Magee of wee words for wee ones shares a poem for her 50th birthday. Happy birthday Bridget!

Linda Mitchell of A Word Edgewise shares two haiga for fall.

Anastasia Suen started a new blog and today shares an original poem entitled Sunrise, Sunset.

Alan Wright of Poetry Pizzazz shares two poems in a form he's calling Flip Poems.

Tara of A Teaching Life shares an original poem entitled For My Son, Reading Harry Potter.

Amy Ludwig VanDerwater shares an original poem entitled October.

Kathryn Apel of Kat's Whiskers shares a bit about epigrams and a few poems to boot!

Margaret Simon of Reflections on the Teche shares student heart maps and an original poem.


Poems and Words of Others
Becky Shillington of Tapestry of Words shares Autumn Fires by Robert Louis Stevenson.

Carol Varsalona of Beyond Literacy Link shares Home Thoughts by Odell Shepard.

Kortney Garrison of One Deep Drawer shares The Salt by Ursula K. Le Guin.

Doraine Bennett of Dori Reads shares The Gift by Li-Young Lee.

Elaine Magliaro of Wild Rose Reader shares a collection of Halloween poems from an assortment of children's poets.

Karen Edmisten shares Spring and Fall by Gerard Manley Hopkins.

Little Willow of Bildungsroman shares A charm invests a face by Emily Dickinson.

Tabatha Yeatts of The Opposite of Indifference shares The Soul selects her own Society by Emily Dickinson and some other related poems.  DON'T MISS THE INVITATION TO JOIN THE WINTER POEM SWAP!

Diane Mayr of Kurious Kitty's Kurio Kabinet shares some quotes from Coleridge on poetry.


Interviews and Book Reviews/Excerpts

Michelle Heidenrich Barnes of Today's Little Ditty reveals the cover of her new publication, The Best of Today's Little Ditty 2014-2015, and shares an interview with the illustrator.

Laura Purdie Salas shares the poem Ambush from Jane Yolen's new book, THE ALLIGATOR'S SMILE AND OTHER POEMS.

Robyn Hood Black of Life on the Deckle Edge shares some poems from Charles Ghigna's new book STRANGE, UNUSUAL, GROSS & COOL ANIMALS.

Jama Rattigan of Jama's Alphabet Soup shares a review of NO FAIR! NO FAIR! AND OTHER JOLLY POEMS OF CHILDHOOD by Calvin Trillin and Roz Chast.

Irene Latham of Live Your Poem shares thoughts on cows and MOO by Sharon Creech.

Jane of Rain City Librarian shares MY VILLAGE: RHYMES FROM AROUND THE WORLD collected by Danielle Wright. 

Sylvia Vardell of Poetry for Children shares Janet Wong's interview with ARE YOU AN ECHO? author David Jacobson and translator Sally Ito.

On Teaching and Students
Heidi Mordhorst of my juicy little universe shares some book-inspired phenomena from her week in 2nd grade.

Jone MacCulloch of Check it Out shares the art and poetry of students in her school.

Monday Poetry Stretch - Rondeau Redoublé

The rondeau redoublé is a French poetic form composed of 25 lines with only 2 rhymes, whole repeating lines, and a hemstitch.

The lines of the first stanza reappear in order as the final lines of the next four stanzas. The hemstitch appears as a half-line at the very end of the poem. Each stanza rhymes either abab or baba. 

Here's one example of the form.

When I'm first working with a new poetic form, I use a guide like this. You can download my template if you want to try it.

Want to know more about the roundeau redoublé? Check out this comprehensive bit of background Kelly Fineman shared at Writing and Ruminating.

I hope you'll join me this week in writing a rondeau redoublé. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - Rondeau

The rondeau is a French poetic form that uses only two rhymes and hemstitch. Here are the basic guidelines:

• Composed of 15 lines
• Lines of 8 syllables, except the refrain, which is 4 syllables
• Refrain (hemstitch) is the first 4 syllables of the first line 
• Two rhymes with three stanzas and rhyme scheme of:
• quintet - a, a, b, b, a
• quatrain - a, a, b, R
• sestet - a, a, b, b, a, R

Here's an example of a rondeau.

We Wear the Mask

by Paul Laurence Dunbar

We wear the mask that grins and lies, 

It hides our cheeks and shades our eyes,— 

This debt we pay to human guile; 

With torn and bleeding hearts we smile 

And mouth with myriad subtleties,

Why should the world be over-wise, 

In counting all our tears and sighs? 

Nay, let them only see us, while 

     We wear the mask.

We smile, but oh great Christ, our cries 

To thee from tortured souls arise. 

We sing, but oh the clay is vile 

Beneath our feet, and long the mile, 

But let the world dream otherwise, 

     We wear the mask!

You can learn more about the rondeau at Shadow Poetry.

I hope you'll join me this week in writing a rondeau. Please share a link to your poem or the poem itself in the comments.

Poetry Seven Write Poems for Arlequin

This month the poetry gang wrote poems to images selected by Kelly. The piece is by René de Saint-Marceaux and is titled Arlequin. Kelly took the photos at the Musée des Beaux Arts in Lyon, France.

 

 Photographs © Kelly Fineman

I've been experimenting the last few weeks with the Magic 9, a relatively new 9-line poetic form. Here's what the Poets Garret wrote about its invention.

Typing too fast is often the cause of spelling mistakes and one day abracadabra was typed as abacadaba and right away a poetry form appeared. 

So the Magic 9 is a 9-line poem with a rhyme scheme of: a/b/a/c/a/d/a/b/a.

This piece creeped me out just a bit. In my brainstorming and early drafts I wrote about Zorro, the Phantom of the Opera, Batman, and a few other masked men. This is what I ended up with.

As You Wish

Masked men have always frightened me

the Dread Pirate Roberts the only exception

I can get behind a little piracy

a nom de guerre and a ship named Revenge

swashbuckling his way into infamy

all for the want of a woman

dreams of Buttercup kept him at sea

leading a life of deception

until love brought him home, set him free

Poem ©Tricia Stohr-Hunt, 2016. All rights reserved.

You can read the poems written by my Poetry Seven compatriots at the links below. Andi's been under the weather, so she's not sharing a poem today. Here's hoping she's feeling much better now. She's with us in spirit and we'll happily welcome her back for our next poetry challenge.

• Tanita Davis
• Kelly Fineman
• Sara Lewis Holmes
• Laura Purdie Salas
• Liz Garton Scanlon

I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today at Violet Nesdoly's place. Happy poetry Friday friends!

Monday Poetry Stretch - Magic 9

The Magic 9 is a relatively new 9-line poetic form. Here's what the Poets Garret has to say about it's inception.

Typing too fast is often the cause of spelling mistakes and one day Abracadabra was typed as abacadaba and right away a poetry form appeared. 

So that's it. This week the challenge is to write a 9-line poem with a rhyme scheme of:
a. b. a. c. a. d. a. b. a.

I hope you'll join me this week in writing a Magic 9. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - Haibun

The haibun is is a poetic form first created by Matsuo Basho. It is a form that combines two modes of writing—prose and verse.

Here are some of the "rules" of writing haibun, as suggested by the Haiku Society of America.

Prose in Haibun

• Tells the story
• Gives information, defines the theme
• Creates a mood through tone
• Provides a background to spotlight the haiku

Haiku in Haibun

• Moves the story forward
• Takes the narrative in another direction
• Adds insight or another dimension to the prose
• Resolves the conflict in an unpredictable way, or questions the resolution of the prose.
• Prose is the narrative and haiku is the revelation or the reaction.

In a haibun, the prose can come first, last, or between any number of haiku.
Haibun also have a title, something haiku generally do not.

You can read some examples and see different haibun forms at Writing and Enjoying Haibun and More than the Birds, Bees, and Trees: A Closer Look at Writing Haibun.

I hope you'll join me this week in writing a haibun. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - Landay

Late again! I can't seem to get my act together this semester, so please forgive the late post.

The landay is an Afghani poetic form. It's described as "an oral and often anonymous scrap of song created by and for mostly illiterate people." Formally, a landay is composed of couplets, with 9 syllables in the first line and 13 in the second. Sometimes the couplets rhyme, but there is no requirement to do so.

You can learn more about the landay and read some fine examples in this Poetry Magazine feature.

I hope you'll join me this week in writing a landay. Please share a link to your poem or the poem itself in the comments.

Poetry Friday - September

Today I'm sharing an aptly titled poem by William Wordsworth.

September
by William Wordsworth

Departing summer hath assumed
An aspect tenderly illumed,
The gentlest look of spring;
That calls from yonder leafy shade
Unfaded, yet prepared to fade,
A timely carolling.

No faint and hesitating trill,
Such tribute as to winter chill
The lonely redbreast pays!
Clear, loud, and lively is the din,
From social warblers gathering in
Their harvest of sweet lays.

Read the poem in its entirety.


I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Amy Ludwig VanDerwater at The Poem Farm. Happy poetry Friday friends!

The Straight Poop on Who Pooped in Central Park?

Way back in 2009 I wrote a post entitled Low-Brow Topics That Make For High-Brow Reading. Here's how it began.

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On Tuesday I finally threw up my hands in frustration over the proliferation of "boys don't read" articles in the last few months. Here's an excerpt from the post entitled More Boy Bashing - Here We Go Again.

Can we please give boys and young men just a bit of credit for their reading habits? If we constantly push potty and other forms of low humor on them as something they'll read, aren't we just setting the bar a tad bit low?

I was thinking about this last night as my son and I were reading a portion of Jurassic Poop: What Dinosaurs (And Others) Left Behind, written by Jacob Berkowitz and illustrated by Steve Mack. Yes, this is a book ostensibly about poop (see that word in the title?), but it is SO MUCH MORE. The book discusses fossils, fossilization, carbon dating, history, archaeology, and the work of several different scientists. My son was drawn in more by the dinosaur connection than anything else, but since reading it he has been endlessly fascinated with the notion that you can learn about the past from things (artifacts) that are left behind, poop being one of them.

There are a number of books on low-brow topics that we hand to reluctant readers in an attempt to encourage them to read. However, the base nature of these topics and the quality of the work don't need to be mutually exclusive. (Oh, a book about poop? Must be crap!) So, in an effort to elevate some topics and/or titles perceived to be low-brow, here are some books (nonfiction all!) that will interest boys AND girls by the very nature of their FABULOUSLY INTERESTING content.

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That list was filled with books on poop, toilets, underwear, and more. Why mention this in a book review? Because I've found a book (heck, a whole series!) that could easily be added to this list.

Gary D. Robson has written 20 books in the Who Pooped in the Park? series. Just take a look at this map to see some of the locations covered. I had no idea there was a book for Virginia! I'll be picking that one up for my outdoor education workshops soon.

You can learn more about the series at Gary's web site.

The latest book in the series is WHO POOPED IN CENTRAL PARK? SCAT AND TRACKS FOR KIDS. Emma, Jackson, Lily and Tony spend a day walking through Central Park, beginning at the Central Park Zoo and ending at Farmer's Gate. At the beginning of their walk they meet a worker named Lawton who tells them he can identify animals by their scat and tracks. As the kids move through the park, they stop along the way to make observations, talk to people they meet, and look at poop and tracks. It's certainly an interesting way to spend the day, and the kids are fully engaged with their explorations. Back matter includes additional information (scat and tracks) on ten of the animals observed directly or indirectly through the signs they leave behind.

While I like the story and, I was even more enamored of the informational boxes on most double-page spreads titled "The Straight Poop." These boxes, added to the text, provide readers with a wealth of information. Here's an example of what you'll find in these boxes.

Groundhogs (also called woodchucks) build long, underground tunnels with special rooms just for pooping, so you won't find much groundhog poop above the ground.

Even though this book is set in Central Park, folks in the northeast, particularly in urban areas or close to state and local parks, will find this a useful guide. Even kids who don't live in and around NYC will learn something about the myriad of animals depicted. And really, who can resist a book about poop? Certainly not me.

Monday Poetry Stretch - Englyn Penfyr

Since I've just been working on Welsh poetic forms, I thought I'd continue on with another Welsh form this week. The Englyn penfyr is a poetic form consisting of any number of tercets. In each stanza, the lines are composed of ten and seven syllables, with all lines sharing a rhyme pattern.

The first line has ten syllables and the seventh, eighth or ninth syllable of the first line introduces the rhyme. This rhyme is repeated on the last syllable of the second and third lines. The fourth syllable of the second line echoes the final syllable of the first through either rhyme or consonance. Here's what the pattern looks like.

x x x x x x x a x x
x x x x x x x x x a
x x x x x x x x x a

You can read more about a variety of Englyn at Wikipedia.

That's it. Easy-peasy, right? I hope you'll join me this week in writing an Englyn Penfyr. Please share a link to your poem or the poem itself in the comments.

Poetry Seven Write Clogyrnach

This month the Poetry Seven crew wrote in the form of the clogyrnach (clog-IR-nach). The clogyrnach is a Welsh poetic meter that falls under the poetic form of awdl (odes). They are composed of any number of 6-line stanzas. Each stanza has 32 syllables. The first couplet is 8 syllables with an end rhyme of aa, the second couplet is 5 syllables with an end rhyme of bb, and the final couplet is is 3 syllables with an end rhyme of ba. In some variations the poem is written as a 5-line stanza with the 5th line composed of 6 syllables. 

I had several false starts as I noodled around with this one. I'll admit I'm not a fan of this form, and I generally love form. Ultimately, it was the earthquake in Italy that I kept coming back to as a topic.

Terremoto in Amatrice

Under the olive tree we stand
among the ruins of this land
cradling hearts numb
as aftershocks come
our hearts drum out of hand

We mourn those lost in rubble heaps
toppled homes wet by tears we weep
medieval town
broken and cast down
quiet sounds of pain deep

Poem ©Tricia Stohr-Hunt, 2016. All rights reserved.

You can read the poems written by my Poetry Seven compatriots at the links below.

• Tanita Davis
• Kelly Fineman
• Sara Lewis Holmes
• Laura Purdie Salas
• Liz Garton Scanlon
• Andi Sibley

I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Penny Parker Klostermann. Happy poetry Friday friends!

Monday Poetry Stretch - Haiku Sonnet

Hello all! I'm back after a bit of a hiatus and hopefully am in the swing of things now that we are in week 2 of the fall semester.

The haiku sonnet is a form described by David Marshall, an English teacher and writer living in Chicago and blogging at Haiku Streak. Essentially, this form combines four haiku with a final two-line “couplet” consisting of seven and/or five syllable lines.

You can read some examples of David's work at Haiku Sonnet. While his poems don't rhyme (as haiku do not), I'm thinking I may attempt to include rhyme in my stretches.

So, there's your challenge. I hope you'll join me this week in writing a haiku sonnet or two. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - Espinela

The Espinela is a Spanish poetic form composed of 10 lines, each written in eight syllables. It is named for the poet Vicentre Espinel who created the form. Here are the guidelines writing an espinela.

The first stanza is a quatrain with the rhyme scheme a b b a.
There is a break at the end of this stanza, so line 4 should be end stopped.
The next stanza is a sestet with the rhyme scheme a c c d d c.

So, there's your challenge. I hope you'll join me this week in writing an Espinela. Please share a link to your poem or the poem itself in the comments.

Poetry Friday - Poetry Seven Write Ekphrastic Poems

This month the poetry gang wrote poems to images selected by Sara. I was thrilled with her choice, having read about this particular exhibit in the New York Times way back in November. (See the article Smithsonian's Renwick Gallery Reopens With a New Focus.) Here are a couple of photos.

Artwork © Jennifer Angus, photographs © Sara Lewis Holmes 

You can find additional photos on Jennifer Angus' site. You can also read about the ethics of working with insects. And here's one more bit ...
After spending a lot of time looking at the artwork, I couldn't get Charlotte Perkins Gilman's short story, The Yellow Wallpaper, out of my mind. In fact, I was so stuck on it that I've included excerpts in this poem. So, with apologies to Jennifer Angus, because I do love her wall, here is my poem.


In The Midnight Garden

“I never saw a worse paper in my life.
One of those sprawling flamboyant patterns committing every artistic sin.”

It’s a wonder
this pink wall
curious and unrestrained
with its friendly swarms
whirling rosettes
starry-eyed skulls

Listen closely
you may just hear
the low hum of
their wings
the hiss of
their breathing

Stare long enough
and they’ll take on
a life of their own
crawling towards you
and taking flight

“I’m getting really fond of the room in spite of the wallpaper. Perhaps because of the wallpaper.”

It’s not psychosis that
makes me love this wall
It’s getting nose to nose
with Earth’s most repugnant
and abundant creatures
awakening a new reverence
for nature’s least loved
in all their resplendence

Poem ©Tricia Stohr-Hunt, 2016. All rights reserved.


You can read the poems written by my Poetry Seven compatriots at the links below. Laura's in the midst of a big move to a new home and busy, busy, busy, so she's cheering us on today.

• Tanita Davis
• Kelly Fineman
• Sara Lewis Holmes
• Liz Garton Scanlon
• Andi Sibley

I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Tara at A Teaching Life. Happy poetry Friday friends!

Monday Poetry Stretch - Octava Real

We've written in the form Ottava Rima a number of times. It is an Italian form that consists of any number of eight line stanzas with the rhyme scheme abababcc. In English, the lines are usually written in iambic pentameter. Ottava rima is generally associated with epic poems (like Don Juan), but can be used for shorter poems.

The Octava Real is the Spanish version of this form. It is also stanzaic and written in any number of octaves. Instead of iambic pentameter, this form is hendecasyllabic, or written in lines of 11 syllables. It carries the same rhyme scheme (abababcc). Like it's counterpart, it is also a narrative form, generally used for telling a story.

So, there's your challenge. I hope you'll join me this week in writing an Octava Real. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - Ovillejo

The ovillejo is a Spanish poetic form made popular by Miguel de Cervantes. It is a 10-line poem composed of 3 rhyming couplets and a final quatrain written in the form of a redondilla. In addition to rhyming, this form is also syllabic.

The first line of each couplet is 8 syllables long, while the second line is 3-4 syllables. The lines of the redondilla are 8 syllables each, with the final line composed of a repetition of lines 2, 4, and 6.

Here's what the poem looks like.

1 - x x x x x x x a
2 - x x x a

3 - x x x x x x x b
4 - x x x b

5 - x x x x x x x c
6 - x x x c

7 - x x x x x x x c
8 - x x x x x x x d
9 - x x x x x x x d
10 - line 2, line 4, line 6

You can read more about the ovillejo at Poetry Forms. You can read about the redondilla at Poetry Magnum Opus.

So, there's your challenge. I hope you'll join me this week in writing an ovillejo. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - Golden Shovel

I know, it's Tuesday again. I'll just chalk my lateness up to my summer schedule.

I've been thinking a bit about this excerpt I read in this interview with Max Ritvo.

"I’ve never really understood the point of poetry, if not to expose you to different forms of mentation. You can write about whatever you want to write about, it’s your prerogative as a poet, but at the end of the day, what a poet does is let you inhabit a different way of thinking for a brief moment of time. For a very very brief bit of time, logic tacks together in ways it never has, and you’re able to have a series of free associations that’ve never been in your brain, or hopefully in any brain, before. I think that this endures so much more than the message of any poem."

I like thinking about poetry as a different way of thinking, though I've always thought of it as a different way of seeing. I write (usually) with a scientist's eyes, practicing the art of looking closely. I also write with the heart of a mathematician, because I love to puzzle through form and structure.

This week let's puzzle through the form Golden Shovel. This form was invented by Terrance Hayes. In writing a golden shovel, you must first borrow a favorite line or lines from a poem to create your own. The words in this line become the end words of your poem. If you choose a six word line, your poem with have 6 lines. If you choose a 12 word line, your poem will have 12 lines. You get the idea. Remember to credit the original poem/poet in the title or an epigram.

Here's an excerpt from Hayes' poem.

The Golden Shovel
by Terrance Hayes

     after Gwendolyn Brooks

I. 1981

When I am so small Da’s sock covers my arm, we
cruise at twilight until we find the place the real

men lean, bloodshot and translucent with cool.
His smile is a gold-plated incantation as we

drift by women on bar stools, with nothing left
in them but approachlessness. This is a school

     Read the poem in its entirety.


Hopefully you can see Brooks' poem (We Real Cool) in the end words of each line.

So, there's your challenge. I hope you'll join me this week in writing a golden shovel. Please share a link to your poem or the poem itself in the comments.

Monday Poetry Stretch - Englyn cyrch

If orange is the new black, then Tuesday is the new Monday! My apologies for failing to post yesterday. I got caught up in the end of summer school and grading.

The Englyn cyrch is a Welsh poetic form consisting of any number of quatrains. In each stanza, the lines are composed of seven syllables, with lines 1, 2, and 4 sharing an end rhyme. The end rhyme of line 3 rhymes with a middle syllable (3rd, 4th, or 5th) or line 4. Here's what the pattern looks like.

x x x x x x a
x x x x x x a
x x x x x x b
x x x b x x a

You can read more about Englyn at Wikipedia.

That's it. Easy-peasy, right? I hope you'll join me this week in writing an Englyn cyrch. Please share a link to your poem or the poem itself in the comments.