Before I talk more about this book and a few other poetry titles of Marilyn's, let's learn a bit more about her.
What got you hooked on children’s poetry?Marilyn:
My first books for children were picture books and novels, and most of the former weren
’t even in rhyme. My first full poetry book was TURTLE IN JULY
. It started as a prose story, which didn
’t work, and that’s when it hit me—I could write in my favorite genre for KIDS. That was an amazing revelation! And it’s changed my reading, as well as my writing. I’d had some of my adult poems published in college journals and small press magazines, and I’d read a fair amount of poetry by well-known poets. Now Barbara Genco
and I co-host the ALSC
(Association for Library Service to Children) Poetry Blast at the ALA
(American Library Association) conference every year, where poets read their work aloud. To prepare for that, I get to read a lot of poetry for children and young adults, which is a great treat.Have you had any formal poetry training? If not, how did you learn to write what you do?Marilyn:
I majored in English in college, but took mostly literature classes. In the one creative writing class I took, my teacher said that my poetry was good, but the rest of my work wasn
’t. Later for him! Other than that, I’ve
had no formal training. However, I have gotten good teaching from friends and editors. Their comments have really helped me write better.Can describe your poetry writing process?Marilyn:
My poems are generally sparked by questions that I want to answer, by images that surprise me, by the need to play with language, and by characters whose voices I hear in my head (not literally!). My collections are largely thematic, but I don’t usually feel that there IS a collection until I’ve
written a minimum of five poems on that theme and firmly believe that I can write a lot more.
I tend to write on legal pads or scraps of paper and revise until I’m satisfied, and I can write anywhere (and I do mean anywhere). When I’m on a roll, I will write several poems each day, spending much of the time staring into space and playing with language—or, as my husband puts it, “poetizing
.” It’s a pleasant state to be in, but most particularly when I’m sitting outdoors in the country on warm days with few distractions.What are the things you enjoy most about writing poetry for children/young adults?Marilyn:
Writing poetry allows me to answer questions, to play with words and images, and to surprise, amuse, and even—at the risk of sounding immodest—move myself, all things I find enjoyable. Poetry is largely meant to be read aloud, so it’s easy to share, and, if you love literature, I believe you enjoy sharing it. I know that I do.Do you have a favorite among all the poems/poetry books you have written?Marilyn: MIRROR, MIRROR: A BOOK OF REVERSIBLE VERSE
is my favorite. It features a form that I invented called the “reverso
.” You read the piece down, and it’s one poem. Read it up, and it’s another. All the reversos
in my book involve fairy tales.Would you like to share the details of any new poetry project(s) that you’re working on?Marilyn:
I have a number of other poetry books coming out, including one about dog holidays (Dutton
), another about games and play (Clarion), and THE BOY WHO CRIED ALIEN (Disney-Hyperion)—a “silent movie” in the form of poems. For that one I made up an alien language and wrote poems in that. Then I translated the poems into both literal English and poetic English. Still forthcoming are these poetry books: TWOSOMES: Love Poems from the Animal Kingdom (Knopf); A FULL MOON IS RISING (Lee & Low), a lyrical world tour of events that happen during a full moon; A STICK IS AN EXCELLENT THING (Clarion), poems about everyday games and play; THE SUPERHEROES EMPLOYMENT AGENCY (Clarion), featuring B-List superheroes looking for work); RISKY PLACES (Chronicle) about animals that thrive in extreme habitats; and as yet untitled new book of fairy tale reversos
). Other forthcoming books include CATERPILLARS (EarlyLight
), a nonfiction book; WHAT IS YOUR DOG DOING? (Atheneum
), a rhymed picture book; and TALLULAH'S TUTU (Clarion), the first of three picture books featuring Tallulah, a young ballet student.
My most recent published poetry books are SHOE BOP!
), poems about shoes, and FIRST FOOD FIGHT THIS FALL
(Sterling), poems about school in the voices of kids from one class, and MIRROR, MIRROR
, fairy tales in a new form. Pop Quiz!Your favorite dead poet?Marilyn:
Shakespeare is my favorite author, and he was a grand poet. I also love Dylan Thomas.Your favorite place to write?Marilyn:
I write poetry in a lot of places because it’s portable. I’ve
written it in coffee shops, in the Brooklyn Botanic Garden, at the Bronx Zoo, on the subway, on airplanes, by my pond in CT, in my apartment in Brooklyn—everywhere. Writing on the subway is fun because it makes the ride go a lot faster!Favorite quote on writing/poetry?Marilyn:
always loved Coleridge’s quote: “Prose: words in the best order; Poetry: the best words in the best order.” I totally agree with it.***************
One of the things about Turtle in July
that works so well is the pairing of the animals with the months. For example, October is the Canada goose, January the white-tailed deer, and March the brown bear. My favorite poem is the book is for the month of September.
Summer it still is
Strike I still can
Snare and swallow the harvesting mouse
the shuffling rat
But slant they do the sun's rays
Shorter grow the days
Soon September stones
Stiff shall I grow
And so below I'll slide
Coil I still can
Marilyn followed up this effort with the book Fireflies at Midnight
. Instead of describing animals throughout the year, this one is focused on a single day at different hours. Can you guess which animal is an early riser?
Up cheerup I'm up
Let me be the first to greet the light
First cheerily first
Hello day, good-bye night
Up cheerup I'm up
In this tree soon chicks will hatch
Soon cheerily soon
Down below are worms to catch
Up cheerup I'm up
Hail chicks and worms and sky!
Hail cheerily hail
Morning robins are not shy
The great thing about these books is that Marilyn has conceived of and written the animal voices and thoughts in such convincing ways. She talks about this in Paul Janeczko's
book Seeing the Blue Between: Advice and Inspiration for New Poets
Why do I have animals and people speak poetry, when we know that in real life they don't? For me, poetry is they're saying inside—their true thoughts and feelings. And it's not just what they'd say, but how they might say it. You know that some folks are more down-to-earth and have a plainer way of talking while others use fancier language. I think, if they could talk, some animals would speak in many different ways, as well. A turtle, for example, might talk slowly and use few words. A dog, on the other hand, would probably blabber excitedly. He'd also use slang. At least, that's how I imagine these animals would sound. In my poetry, I get to know these people and animals—and I hope you do too.
As you may have noticed, I am quite fond of animal poems, but Marilyn has written about many diverse topics including water, fire, nature, shoes, the Mississippi River, and more. One book about beasts of legend and fable, Creature Carnival
, was named an honor book for the Lee Bennett Hopkins Poetry Award
. Another book (released in September of 2008), First Food Fight This Fall: And Other School Poems
follows a group of children as they learn and grow over the course of a school year. These poems are written in the children's voices and fairly sing about the highs and lows of school. Here's what Laksmi
has to say about poetry at the beginning of the year.
What I Think of Poetry
Poetry makes me
sleepy: lullaby words in
a warm, quiet room
Here's what she and Kwan
thought a bit later in the year.
When Ms. Mundy Read Us A Poem
by Laksmi & Kwan
I fell asleep as
usual. Only this time
I dreamed of flowers.
grayest fall day,
all the maples outside
were bare, but in our room cherry
All poems ©Marilyn Singer. All rights reserved.
One of Marilyn's most recent books has had me reading and puzzling over the poems for a while now. In Mirror, Mirror: A Book of Reversible Verse
, the poems in the book are based on fairy tales and tell two sides of the same story. Here's the catch. The poems are inverses of one another. The second poem is created by reading the first poem in reverse (hence reverso
Here's the example Marilyn provides in her note about the form.
Brilliant, isn't it? The poems in this one are crafty. I've read them forwards, backwards, and over and over and find myself wondering how she did it. Perhaps one day she'll share her secret.