Thursday, April 14, 2022

NPM 2022 - Day 14

Today's poem is written to one of the many letters my grandfather sent my father when he was stationed at Kanoehe Bay, Hawaii during WWII. My grandfather wrote several letters a week, sharing all the news from home.

This poem is written as a somonka. The somonka is a Japanese form that consists of two tanka written in tandem. Tanka is a form of Japanese poetry that has been practiced for more than 1000 years. Tanka are composed of 31 syllables in a 5/7/5/7/7 format. Most tanka focus on nature, seasons, the discussion of strong emotions, or a single event of some significance. In a somonka, the first tanka is usually a declaration of love, with the second a response to that declaration. You can learn more about the somonka at Poetry Magnum Opus.

What I love about this letter in particular is the way my grandfather shares funny stories and fills my dad in on everyday life. Here's the letter in its entirety if you want to read it.
 
I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad
April 7 - Tanka to a photo of my grandmother and her mother by a car
April 8 - Dodoitsu to a piece of V-mail from my great uncle 
April 9 - Senryu to a Christmas card from Paris during the war (1944)
April 10 - Somonka to a war letter to my father
April 11 - Dodoitsu to an early family portrait of my mother
April 12 - Senryu to a photo of WWII nose art 
April 13 - Senryu to a pair of postage stamps issued in 1934

Wednesday, April 13, 2022

NPM 2022 - Day 13

Today's poem is written to a set of unused stamps issued in 1934 as a tribute to the mothers of America. These particular stamps are from my father's stamp collection. 

This poem is written as a pair of senryu. Senryu is a three line poem written in the 5-7-5 form like haiku. While haiku focus on nature, senryu focus on human foibles. You can read more about this form at How to Write Senryu Poems: Understanding the Senryu Form.

This stamp is an engraving created by Thomas Carlyle. The image for the engraving comes from James Whistler's work, Arrangement in Grey and Black No. 1 (1871). Today it is better known as Whistler's Mother. You can learn more about this work at Whistler's Mother: Grey, Black, and White.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad
April 7 - Tanka to a photo of my grandmother and her mother by a car
April 8 - Dodoitsu to a piece of V-mail from my great uncle 
April 9 - Senryu to a Christmas card from Paris during the war (1944)
April 10 - Somonka to a war letter to my father
April 11 - Dodoitsu to an early family portrait of my mother
April 12 - Senryu to a photo of WWII nose art

Tuesday, April 12, 2022

NPM 2022 - Day 12

Today's poem is written to a photograph of the art on a WWII plane. My father had an album of photographs from his time stationed in Hawaii during the war. We never knew it existed until after his death. The war was just not something he discussed. In the album, there were several pages of nose art, most of them half-naked pin-up girls.

This poem is written as a senryu. Senryu is a three line poem written in the 5-7-5 form like haiku. While haiku focus on nature, senryu focus on human foibles. You can read more about this form at How to Write Senryu Poems: Understanding the Senryu Form.

Visual marking on planes began in WWI as a means to help pilots separate friendly aircraft from foe. It evolved into an art form during WWII. You can learn more about it at Nose Art - The Most Unique Art By Pilots During WWII

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad
April 7 - Tanka to a photo of my grandmother and her mother by a car
April 8 - Dodoitsu to a piece of V-mail from my great uncle 
April 9 - Senryu to a Christmas card from Paris during the war (1944)
April 10 - Somonka to a war letter to my father
April 11 - Dodoitsu to an early family portrait of my mother

Monday, April 11, 2022

NPM 2022 - Poem 11

Today's poem is written to a photograph of my mother and her 4 brothers, taken May 18, 1944, when she was 15. (Mom was born in July of 1929.)

This poem is a dodoitsu, a 4-line poem with a syllable count of 7-7-7-5. The dodoitsu "often focuses on love or work with a comical twist." I know that technically they're not supposed to rhyme, but I couldn't help myself with this one. The post What is a Dodoitsu? contains more information about this Japanese form.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad
April 7 - Tanka to a photo of my grandmother and her mother by a car
April 8 - Dodoitsu to a piece of V-mail from my great uncle 
April 9 - Senryu to a Christmas card from Paris during the war (1944)
April 10 - Somonka to a war letter to my father

Sunday, April 10, 2022

NPM 2022 - Day 10

Today's poem is written to a letter my father received from his cousin while he was serving in the war. I imagine it was hard on the young people left behind, particularly as they worried for family and friends and wondered if they would make it home.

This poem is written as a somonka. The somonka is a Japanese form that consists of two tanka written in tandem. Tanka is a form of Japanese poetry that has been practiced for more than 1000 years. Tanka are composed of 31 syllables in a 5/7/5/7/7 format. Most tanka focus on nature, seasons, the discussion of strong emotions, or a single event of some significance. In a somonka, the first tanka is usually a declaration of love, with the second a response to that declaration. You can learn more about the somonka at Poetry Magnum Opus.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad
April 7 - Tanka to a photo of my grandmother and her mother by a car
April 8 - Dodoitsu to a piece of V-mail from my great uncle 
April 9 - Senryu to a Christmas card from Paris during the war (1944)

Saturday, April 09, 2022

NPM 2022 - Day 9

Today's poem is written to a Christmas card my Great Uncle Ray sent to my grandparents. As a child I remember thinking how romantic it must have been to spend Christmas in Paris, not once focusing on the fact that this was during a time of war. (This card was sent after the liberation of France in 1944). Now when I see this card I think more of the incredible resilience of the people. Of course now, I can't help but think of the people of Ukraine.

This poem is written as a senryu. Senryu is a three line poem written in the 5-7-5 form like haiku. While haiku focus on nature, senryu focus on human foibles. You can read more about senryu at How to Write Senryu Poems: Understanding the Senryu Form.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad
April 7 - Tanka to a photo of my grandmother and her mother by a car
April 8 - Dodoitsu to a piece of V-mail from my great uncle 

Friday, April 08, 2022

Poetry Friday: NPM 2022 - Day 8

Today's poem is written to a piece of V-mail my Great Uncle Ray (the youngest of 8 kids) sent to my grandmother (the second oldest). In it he says:

I just got a letter from Babe telling me about the celebration that the gang is planning for Ma & Pa's "Golden Wedding Anniversary" ... to be held on the 29th of November. I might as well let you know right now, that I'm sore as hell at the whole bunch of you for not letting me know about it sooner. Consider yourself bawled out.

Even in a time of war, the kid brother was still giving his big sister a hard time. This doesn't surprise me about my uncle at all.

This poem is written as a pair of dodoitsu. I haven't really followed the form too well this time.  While I have followed the pattern (a 4-line poem with a syllable count of 7-7-7-5), I have not focused on "love or work with a comical twist." The post What is a Dodoitsu? contains more information about this Japanese form.

Victory Mail, more commonly known as V-mail, was used to expedite mail service for American armed forces overseas. Using microfilmed messages reduced the bulk and weight of letters. This meant there was more space on planes for other war supplies and that letters could reach troops faster than before. In the years it was in operation (June 1942-November 1945), more than 1 billion letters were processed. You can learn more about it at Mail Call: V-mail.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad
April 7 - Tanka to a photo of my grandmother and her mother by a car

Finally, I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Janice at Salt City Verse. Happy poetry Friday friends. 

Thursday, April 07, 2022

NPM 2022 - Day 7

Today's poem is written to a photograph of my grandmother (the teen sitting and looking grumpy) and her mother (my great grandmother). On the back of the photo my mother wrote "Gram Benwitz" and "Mother." That's all I know. I wish I knew more about the car. I wish I knew why my grandmother looked so out of sorts. 

This poem is written as a tanka. A tanka is a 5-line poem with the syllable pattern 5-7-5-7-7. You can learn more about this form at The Tanka Journal.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring
April 6 - Senryu to a student's drawing of my dad

Wednesday, April 06, 2022

NPM 2022 - Day 6

Today's poem is written to a drawing one of my father's student made of him in 1970. I never thought my father was sentimental, but the fact that we found this drawing among his papers after he died said a lot about how he valued this particular gift. I know I still have cards, drawings, and notes my students have sent me over the years, so I found this piece to be particularly touching. I looked up this student (his name is on the back of the drawing) and found he earned a BS and PhD in chemistry. I'd like to think my dad had something to do with igniting his passion for science.

This poem is written as a senryu. Senryu is a three line poem written in the 5-7-5 form like haiku. While haiku focus on nature, senryu focus on human foibles. You can read more about senryu at How to Write Senryu Poems: Understanding the Senryu Form.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement
April 5 - Gogyohka to the receipt for my mother's engagement ring

Tuesday, April 05, 2022

NPM 2022 - Day 5

Today's poem is written to the receipt for my mother's engagement ring. I was surprised to see that the store where my father bought the ring sold jewelry AND appliances. I have to believe that $145 was a big investment for my dad at the time. The Dollar Times calculator shows that when adjusted for inflation, $145 in 1951 is equivalent to $1,617 today. That sounded like a lot to me until I read a recent survey that found the average engagement ring cost in the United States is $5,900. Yikes! I paid less for a 2010 Mini-Cooper with 77,000 miles in 2019.

In any case, I found a lot to ponder when I saw this receipt. It certainly wasn't burning a hole in my dad's pocket, as he proposed the next day. Here's the poem I wrote.

This poem is written as a Gogyohka. Gogyohka simply means verse which is written in five lines. This is a non-syllabic form, with each line generally representing one phrase. Invented in the 1960s, the idea was to "take the traditional form of Tanka poetry (which is written in five lines) and liberate its structure, creating a freer form of verse." You can learn more about this form at Writer's Digest Gogyohka: Poetic Form.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento
April 4 - Choka to my mother's engagement announcement

Monday, April 04, 2022

NPM 2022 - Day 4

Today's poem is written to the newspaper clipping announcing my mother's engagement. The page is filled with classifieds and one brief bit of news. I imagine readers were probably more interested in the news story than the happy announcement.

This poem is a choka. The choka is a Japanese form of unrhymed alternating five and seven syllable lines that ends with an extra seven syllable line. It can be any odd number of lines. You can learn more about this form at Poets Collective.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe
April 3 - Dodoitsu to a war memento

Sunday, April 03, 2022

NPM 2022 - Day 3

Today's poem is written to a miniature pair of underpants I found among my father's old war letters. I laughed when I first saw it, and then laughed even harder when I thought of my grandmother opening the mail and receiving it. I'm convinced my grandfather would have appreciated the joke, but my grandmother? Not so much.

This poem is a dodoitsu, a 4-line poem with a syllable count of 7-7-7-5. The dodoitsu "often focuses on love or work with a comical twist." The post What is a Dodoitsu? contains more information about this Japanese form.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child
April 2 - Haiku to my mother's recipe

Saturday, April 02, 2022

NPM 2022 - Day 2

Today's poem is written to a favorite recipe of my mother's. I've made it a few times in the last few months, I think in part because I miss her, and in part because I (weirdly) miss her handwriting. 

When I was growing up, a teacher’s annual pay wasn’t spread over 12 months, so summers were incredibly lean. Most days we were grateful for the garden, but sometimes, we'd just had enough.

Hmmmm ... Is this haiku or senryu? I could make a case for this being a nature poem or a poem about human character. It's hard to know. In any case, this follows the 5-7-5 format. You can read about both these forms at 10 Types of Japanese Poetry: A Guide to Japanese Poetic Forms.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. Until then, you may want to read previous poems in this series. I'm also sharing these poems on my Instagram in case you want to see them all in one place. 

April 1 - Senryu to a photo of my grandmother as a child

Friday, April 01, 2022

Poetry Friday and NPM 2022 - Day 1

This year for National Poetry Month I'm sharing original poems written in a variety of Japanese poetic forms (haiku, tanka, dodoitsu, etc.) to primary sources. I'm using photos, letters, newspaper articles, and more to inspire my writing.

This first poem is written to a photograph of my grandmother Gmelin (Marie) and her brothers Earl (the tall one, as noted by my mother on the back of the photo) and Jerry.

Senryu is a three line poem written in the 5-7-5 form like haiku. While haiku focus on nature, senryu focus on human foibles. You can read more about senryu at How to Write Senryu Poems: Understanding the Senryu Form.

I hope you'll come back tomorrow and see what new inspiration I've found for a poem. In the meantime, I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Heidi Mordhorst of my juicy little universe. Happy poetry Friday friends. 

Friday, March 25, 2022

Poetry Sisters Write Ekphrastic Dodoitsu

This month our challenge was to write ekphrastic dodoitsu. The dodoitsu is a Japanese poetic form of 4 lines with syllables 7/7/7/5. The dodoitsu "often focuses on love or work with a comical twist." You can learn more about this poetic from Robert Lee Brewer at Writer's Digest.  Ekphrastic means we used images to inspire our poems. 

We shared a number of images in our group so that we'd have a range to choose from. The image I shared was one of my dad when he was stationed in Hawaii during WWII. He loved dogs and took quite a shine to a stray and somehow managed to keep him on base. They named him "Puddles, the transportation dog." Here's the poem inspired by this image.


Kelly shared a photo of a heart chalked on a brick wall. I wrote two poems inspired by this image. (Click on the photos to enlarge.)



You can read the pieces written by my Poetry Sisters at the links below. 

    Would you like to try the next challenge? Next month we are writing poems inspired by or in the style of Taylor Mali. We hope you'll join us. Are you in? Good! You’ve got a month to craft your creation(s), then share your offering with the rest of us on April 29th in a post and/or on social media with the tag #PoetryPals. We look forward to reading your poems! 

    I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Amy Ludwig VanDerwater at The Poem Farm. Happy poetry Friday friends. 

    Thursday, February 24, 2022

    Poetry Friday is Here!

    I'm thrilled to be hosting Poetry Friday on a day when my poetry sisters and I are sharing the results of a monthly challenge. This month we played a game called Exquisite Corpse. Here's a bit about it:

    Exquisite Corpse is a game developed by surrealist writers in the 1920s. The game lets you randomly create combinations of words which your own intelligence often finds meaning in. (The name of the game is one of the first images the inventors created by playing it.)

    You can read more about it at Exquisite Corpse: An Imagery Imagination Game.
    We began with Liz, who sent one line of poetry to Tanita. Tanita wrote one line of poetry and sent ONLY her line to Kelly. It continued in this fashion, with each poet sending a single line to the next. We met on Zoom Sunday and read our lines aloud. Here's what we ended up with.

    This month, odd one out, running short on days and sleep, (Liz)
    This month, past meets pride, roots ripped from native soil still somehow grow. (Tanita)
    The once-bright future dims. Shadows grow (Kelly)
    But there, near canyon  rim, in  broken light (Sara)
    the yearling hawk shrieked in futile fury (Andi)
    and the steel-edged clouds looked away (Laura)
    trees bow and bend on a blustery day (Tricia)
    that rattles old oak leaves down the street. (Mary Lee)

    Once we had these lines, it was up to each poet to take (or leave) the words and revise in their own way. Because I like rules, I gave myself a few. I had to use the words or portions of words that were written, and I could not add more than 5 new words. Here's what I came up with.

    Post-Pandemic Life

    This day …
      No one sleeps
      Hawk meets steel-edged clouds
      near canyon rim 
      In broken light
      shadows grow

    This month …
      Running short on days 
      the once-bright future dims
      Odd, the past
      that rattles down the street
      in futile fury

    This year …
      Old oak trees bow and bend
      unbreaking
         Don’t look away
      Roots ripped from native soil 
      still somehow grow

    Poem ©Tricia Stohr-Hunt, 2022. All rights reserved.

    After we met, I spent some time working on a creative journal entry for the #100dayproject I'm working on. You can see a bit of my writing process in it.
    You can read the pieces written by my Poetry Sisters at the links below. (Please note I'm posting Thursday evening for you early birds, so some of these links may not be live until Friday.)
      Would you like to try the next challenge? Next month we are writing ekphrastic doditsu. You can learn about this poetic from Robert Lee Brewer at Writer's Digest. We are sharing images in our group, but you can write to anything you like. If you want to be inspired by my image, here's what I shared. 
      That's my dad when he was stationed in Hawaii during WWII. He loved dogs and took quite a shine to a stray and somehow managed to keep him on base. They named him "Puddles, the transportation dog." Since the "dodoitsu often focuses on love or work with a comical twist," I thought this image would be fun to write about. Feel free to use it if you like.

      We hope you'll join us in our next challenge. Are you in? Good! You’ve got a month to craft your creation(s), then share your offering with the rest of us on March 25th in a post and/or on social media with the tag #PoetryPals. We look forward to reading your poems! 

      *****

      I'm rounding things up old school today, so leave your link in the comments and I'll add you to the post. Happy Poetry Friday all!

      Original Works (Poems, Videos, Photos, etc.)
      If you didn't see the links above, you can check out the Exquisite Corpse poems written by my poetry sisters here:

      Linda Mitchell of A Word Edgewise shares her poem related to the sense of smell.

      Linda Kulp Trout shares an original video poem entitled True Love.

      Karen Eastlund takes a stab at one of my favorite forms and shares two triolets.

      Michelle Kogan shares all kinds of kinds of Exquisite Corpse goodness with a video AND poems!

      Linda Baie of Teacher Dance shares poem written to the prompt of the Sphinx entitled Rarely Mutable.

      Denise Krebs shares a golden shovel entitled My Heart Sings.

      Janice Scully shares a lovely elegy to the recently departed Dr. Paul Farmer.

      Elisabeth Norton of Unexpected Intersections shares several original poems on Chernobyl and Ukraine.

      Bridget Magee of wee words for wee ones shares some cornea humor. Thank you for making me snarf my tea this morning.

      Marcie Flinchum Atkins returns to Poetry Friday (welcome  back!) and shares a photo haiku.

      Molly Hogan of Nix the comfort zone is sharing a number of poems inspired by bread.

      Irene Latham is sharing an ArtSpeak poem entitled Hope Has Long Legs. (I love herons!)

      Matt Forrest Esenwine of Radio, Rhythm & Rhyme shares a poem entitled Hummingbird.

      Rose Capelli of Imagine the Possibilities shares a poem entitled Annabel Angelou Catherine Blake.

      Margaret Simon of Reflections on the Teche shares a poem entitled Beautiful things start with just one.

      Buffy Silverman shares a poem entitled February's Fake News.

      Amy Ludwig VanDerwater has a new book coming out. Hurray! Check out the book trailer and her poem entitled Outfit.

      Jone MacCulloch shares two exquisite corpse poems and a video of some New Year postcards.

      Patricia Franz shares a poem entitled Old Catfish.

      Renee LaTulippe's debut poem picture book comes out soon. Hurray! Check out her book trailer and art from the book.

      Catherine Flynn of Reading to the Core shares a beautifully illustrated found poem.

      Karin Fisher-Golton shares that celebrates 2-22-22. It's entitled Twosday.

      Carol Varsalona of Beyond Literacy Link shares an exquisite corpse poem entitled Love.

      Carol LaBuzzetta of The Apples in My Orchard shares a poem entitled Cardinal Story: A Poetic Version.

      Ruth Bowen Hersey of There is no such thing as a God-forsaken town shares a poem entitled Esta Falda.

      Poems of Others
      Robyn Hood Black of Life on the Deckle Edge shares some Scottish Nursery Rhymes.

      Jama Rattigan of Jama's Alphabet Soup muses on toast and toasters and shares the poem Ode to My Toaster by by Allan Chochinov.

      Heidi Mordhorst of my juicy little universe shares the poem Midnight Air in Louisville by Afaa Michael Weaver.

      Tabatha Yeatts of The Opposite of Indifference shares an excerpt from ‘Ulysses’ by Alfred, Lord Tennyson.

      Karen Edmisten shares the poem Wild Gratitude by Edward Hirsch.

      Monday, February 14, 2022

      Announcing the #KidsLoveNonfiction Campaign

      This morning, Mary Ann Cappiello, Professor of Language and Literacy at Lesley University, and Xenia Hadjioannou, Associate Professor of Language and Literacy Education at the Harrisburg campus of Penn State University, sent the letter below to The New York Times requesting that the paper add three children's nonfiction bestseller lists to parallel the existing picture book, middle grade, and young adult lists, which focus on fiction.

      This change will align the children's lists with the adult bestseller lists, which separate nonfiction and fiction. It will also acknowledge the incredible vibrancy of children's nonfiction available today and support the substantial body of research showing that many children prefer nonfiction and still others enjoy fiction and nonfiction equally.

      If you support this request, please follow the signature collection form link to add your name and affiliation to the more than 200 educators and librarians who have already endorsed the effort. Your information will be added to the letter but your email address will remain private.
       

      LETTER TO THE NEW YORK TIMES
      Nonfiction books for young people are in a golden age of creativity, information-sharing, and reader-appeal. But the genre suffers from an image problem and an awareness problem. The New York Times can play a role in changing that by adding a set of Nonfiction Best Seller lists for young people: one for picture books, one for middle grade literature, and one for young adult literature.  
      Today’s nonfiction authors and illustrators are depicting marginalized and minority communities throughout history and in our current moment. They are sharing scientific phenomena and cutting-edge discoveries. They are bearing witness to how art forms shift and transform, and illuminating historical documents and artifacts long ignored. Some of these book creators are themselves scientists or historians, journalists or jurists, athletes or artists, models of active learning and agency for young people passionate about specific topics and subject areas. Today’s nonfiction continues to push boundaries in form and function. These innovative titles engage, inform, and inspire readers from birth to high school. 
       
      Babies delight in board books that offer them photographs of other babies’ faces. Toddlers and preschoolers fascinated by the world around them pore over books about insects, animals, and the seasons. Children, tweens, and teens are hungry for titles about real people that look like them and share their religion, cultural background, or geographical location, and they devour books about people living different lives at different times and in different places. Info-loving kids are captivated by fact books and field guides that fuel their passions. Young tinkerers, inventors, and creators seek out how-to books that guide them in making meals, building models, knitting garments, and more. Numerous studies have described such readers and their passionate interest in nonfiction (Jobe & Dayton-Sakari, 2002; Moss and Hendershot, 2002; Mohr, 2006). Young people are naturally curious about their world. When they are allowed to follow their passions and explore what interests them, it bolsters their overall wellbeing. And the more young people read, the more they grow as readers, writers, and critical thinkers (Allington & McGill-Franzen, 2021; Van Bergen et al., 2021).

      Research provides clear evidence that many children prefer nonfiction for their independent reading, and many more select it to pursue information about their particular interests (Doiron, 2003; Repaskey et al., 2017; Robertson & Reese, 2017; Kotaman & Tekin, 2017). Creative and engaging nonfiction titles can also enhance and support science, social studies, and language arts curricula. And yet, all too often, children, parents, and teachers do not know about recently published nonfiction books. Bookstores generally have only a few shelves devoted to the genre. And classroom and school library book collections remain dominated by fiction. If families, caregivers, and educators were aware of the high-quality nonfiction that is published for children every year, the reading lives of children and their educational experiences could be significantly enriched.

      How can The New York Times help resolve the gap between readers’ yearning for engaging nonfiction, on the one hand, and their lack of knowledge of its existence, on the other? By maintaining separate fiction and nonfiction best seller lists for young readers just as the Book Review does for adults.
      The New York Times Best Sellers lists constitute a vital cultural touchstone, capturing the interests of readers and trends in the publishing world. Since their debut in October of 1931, these lists have evolved to reflect changing trends in publishing and to better inform the public about readers’ habits. We value the addition of the multi-format Children’s Best Seller list in July 2000 and subsequent lists organized by format in October 2004. Though the primary purpose of these lists is to inform, they undeniably play an important role in shaping what publishers publish and what children read.

      Adding children’s nonfiction best-seller lists would:
      • Help family members, caregivers, and educators identify worthy nonfiction titles.
      • Provide a resource for bibliophiles—including book-loving children—of materials that satisfy their curiosity.
      • Influence publishers’ decision-making.
      • Inform the public about innovative ways to convey information and ideas through words and images.
      • Inspire schools and public libraries to showcase nonfiction, broadening its appeal and deepening respect for truth.

      We, the undersigned, strongly believe that by adding a set of nonfiction best-seller lists for young people, The New York Times can help ensure that more children, tweens, and teens have access to books they love. Thank you for considering our request.

      Dr. Mary Ann Cappiello 
      Professor, Language and Literacy
      Graduate School of Education, Lesley University
      Cambridge, Massachusetts 
      Former Chair, National Council of Teachers of English (NCTE) Orbis Pictus Award for Outstanding Nonfiction Committee 

      Dr. Xenia Hadjioannou
      Associate Professor, Language and Literacy Education
      Penn State University, Harrisburg Campus
      Harrisburg, PA
      Vice President of the Children’s Literature Assembly (CLA) of the National Council of Teachers of English (NCTE). 
       
      References
      • Allington, R. L., & McGill-Franzen, A. M. (2021). Reading volume and reading achievement: A review of recent research. Reading Research Quarterly, 56(S1), S231–S238. https://doi.org/10.1002/rrq.404
      • Correia, M. (2011). Fiction vs. informational texts: Which will your kindergarteners choose? Young Children, 66(6), 100-104.
      • Doiron, R. (2003). Boy Books, Girl Books: Should We Re-organize our School Library Collections? Teacher Librarian, 14-16.
      • Kotaman H. & Tekin A.K. (2017). Informational and fictional books: young children's book preferences and teachers' perspectives. Early Child Development and Care, 187(3-4), 600-614, DOI: 10.1080/03004430.2016.1236092
      • Jobe, R., & Dayton-Sakari, M. (2002). Infokids: How to use nonfiction to turn reluctant readers into enthusiastic learners. Markham, Ontario, Canada: Pembroke.
      • Mohr, K. A. J. (2006). Children’s choices for recreational reading: A three-part investigation of selection preferences, rationales, and processes. Journal of Literacy Research, 38(1), 81–104. https://doi.org/10.1207/s15548430jlr3801_4
      • Moss, B. &  Hendershot, J. (2002). Exploring sixth graders' selection of nonfiction trade books: when students are given the opportunity to select nonfiction books, motivation for reading improves. The Reading Teacher, vol. 56 (1), 6+.
      • Repaskey, L., Schumm, J. & Johnson, J. (2017). First and fourth grade boys’ and girls’ preferences for and perceptions about narrative and expository text. Reading Psychology, 38, 808-847.
      • Robertson, Sarah-Jane L. & Reese, Elaine. (Mar 2017). The very hungry caterpillar turned into a butterfly: Children's and parents' enjoyment of different book genres. Journal of Early Childhood Literacy, 17(1), 3-25.
      • Van Bergen, E., Vasalampi, K., & Torppa, M. (2021). How are practice and performance related? Development of reading from age 5 to 15. Reading Research Quarterly, 56(3), 415–434. https://doi.org/10.1002/rrq.309
      If you support the request to add three children's nonfiction bestseller lists to parallel the existing lists, which focus on fiction, please add your name and affiliation to the signature collection form

      Friday, December 31, 2021

      Poetry Sisters Write About Bells

      The last challenge of the year was to write about bells. I had a lot of grand ideas, many fits and starts, but kept coming back to one topic. When I was 12, my grandmother was diagnosed with cancer and came to live with us. I loved her dearly, but she was tough on my mom, who had married her only son. She complained about everything, and almost always claimed it was my mother's fault. My mother never complained about the less than kind treatment. She lost her patience only once, when surely she was on her last nerve every day. One of the things that drove my mother to drink (seriously, she went through a lot of Harvey's Bristol Cream in those days) was the bell my grandmother rang to get our attention. I remember quite clearly it disappearing after my grandmother's death. So, that's the bell I wrote about.

      This poem is in the form of a Bob and Wheel. Here are the guidelines:

      • Quintain (or five-line) stanza or poem
      • Rhyme scheme of ababa
      • First line of two to three syllables
      • Lines two through five have six syllables per line

      Here is my poem.
      I've actually written a few poems about my grandmother. You can read them here:

      Here's a photo of the two of us.

      You can read the pieces written by my Poetry Sisters at the links below. 
      Would you like to try the next challenge? Next month we are writing “poetry inspired by something overheard.” Susan Thomsen at Chicken Spaghetti has written these as a form of “found poem.” For an example, check out Susan's poem A Day Like Any Other: A Found Poem. We hope you'll join us. Are you in? Good! You’ve got a month to craft your creation(s), then share your offering with the rest of us on January 28th in a post and/or on social media with the tag #PoetryPals. We look forward to reading your poems! 

      I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Carol Wilcox at Carol's Corner. Happy poetry Friday friends. May the coming year be a good one for you all. 

      Friday, November 26, 2021

      Poetry Sisters Write Odes to Autumn

      This month's challenge was to write an ode to autumn. Fall is my favorite season, but I had a hard time thinking of topics, especially since the early directive was "not nature." If you can't write about nature, what DO you write about fall?

      I did a little brainstorming and listed the things I love about this season and the events that mark it. I started to think about Thanksgiving and holiday rituals and before I knew it I was writing about a family recipe that only ever sees the light of day in fall. So, I may not have followed the rules precisely, but I do have a draft of a poem.

      Ode to a Thanksgiving Recipe

      The paper is well-worn
      yellowed with age and
      stained with splatters
      from years of placing it
      near a busy stove

      It is sentimentally retrieved
      each Thanksgiving
      carefully unfolded, pressed flat
      it has been taped and re-taped
      along the seams
      it was even ironed once in
      a misguided attempt to
      remove wrinkles
      the singed edge still
      haunts me

      Copied in my mother's hand
      her penmanship identical to
      so many of her generation
      I can picture her at the kitchen table
      copying it from a women's magazine
      on the back of a recycled
      school lunch menu

      I'll admit it's not
      my favorite dish
      yet I make it every year
      my November love letter
      to home, to holidays past
      to my mom

      Poem ©Tricia Stohr-Hunt, 2021. All rights reserved.

      You can read the pieces written by my Poetry Sisters at the links below. 
      Would you like to try the next challenge? We're writing about bells. That's it, no specified form, just the subject of bells.  We hope you'll join us. Are you in? Good! You’ve got a month to craft your creation(s), then share your offering with the rest of us on December 31st (that's New Year's Eve, so plan ahead) in a post and/or on social media with the tag #PoetryPals. We look forward to reading your poems! 

      I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Ruth at There is no such thing as a God-forsaken town. Happy poetry Friday friends.

      Friday, October 29, 2021

      Poetry Sisters Write Wordplay Poems

      The challenge this month was to write a wordplay poem. Laura set this challenge based on one offered up by Nikki Grimes in May 2015 at Today's Little Ditty. Here's an excerpt:

      When I first began to write poetry at age six, it was the result of wordplay.  So try this wordplay exercise and create your own free verse poem.

      When I talk about wordplay, I'm talking about studying a word from top to bottom, and inside out, considering every aspect of the word:  What it looks like, sounds like, feels like.  What it does, how it's used, etc.  The idea is to bring all of your senses into the act.  The poem you create may end up being complex and sophisticated, or very simple.  But whether you're writing a nursery rhyme, or a complex prose poem for adults, wordplay is a valuable skill in the process of creating dynamic, original, poetry, or lyrical prose.

      Last year when we wrote hippo poems, I wrote in this form. I really love that poem, so I was a bit intimidated to try this again. It took a while to find a topic I liked, but I'm surprisingly happy with this draft about lemons.

      Lemon
      Lemon is a sour word
      that makes you purse your lips
      squinch your face
      shiver at its taste

      Lemon is a disappointing word
      turn the key in a new-to-you
      used car as it sputters
      and chokes

      Lemon is sunny word
      recalling hot summer days
      money-making schemes
      grandma’s depression glass pitcher

      Lemon is a scurvy word
      eat the wedge
      peel and all
      daily dose of Vitamin C

      Lemon is a chef’s word
      brightening every dish 
      a zestful ingredient
      unheralded secret weapon

      I started a second poem on migration. It's not finished yet, but here's what I have so far. I really wanted to include immigrants or refugees, but couldn't find a way to do that. I'm going to keep playing with this one.

      Migration
      Migration is a traveling word
      whether whale or wildebeest
      bird or butterfly
      life is lived in motion

      Migration is a seasonal word
      summer, winter, spring, and fall
      searching for greener pastures
      warmer climes

      Migration is a wandering word
      upstream, downstream riding currents
      north to south and north again
      never ending back and forth

      Poems ©Tricia Stohr-Hunt, 2021. All rights reserved.

      You can read the pieces written by my Poetry Sisters at the links below. 
      Would you like to try the next challenge? We're writing an Ode to Autumn. An ode is a lyrical poem, and like the ancient Greeks, modern humans also enjoy marking an occasion with a song. Whether you choose an irregular ode with no set pattern or rhyme, or the ten-line, three-to-five stanza famed by Homer himself, we hope you'll join us in singing in the season of leaf-fall and pie. Are you in? Good! You’ve got a month to craft your creation(s), then share your offering with the rest of us on November 26th (the Friday after Thanksgiving, so plan ahead) in a post and/or on social media with the tag #PoetryPals. We look forward to reading your poems! 

      I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Linda Baie at Teacher Dance. Happy poetry Friday friends.